A Quote by Francoise Mouly

Comics are a gateway into literature. — © Francoise Mouly
Comics are a gateway into literature.
Comics are a gateway drug to literacy.
I've been a comics fan since my first hit of those gateway drawings: Judy, Asterix, and the TV cartoon 'Spider-Man and his Amazing Friend' - which naturally led me to Spider-Man comics.
I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.'
I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.
Like a lot of young people who wanted to be artists, comics were a gateway for me.
I felt so liberated when I first saw Charles Mee’s 'The Glory of the World' at BAM play, because for me this is the gateway to contemplation, or this is the gateway to love, or this is the gateway to faith, not sitting and reading a book by an isolated monk, god bless him. This is.
You can choose a future where more Americans have the chance to gain the skills they need to compete, no matter how old they are or how much money they have. Education was the gateway to opportunity for me. It was the gateway for Michelle. And now more than ever, it is the gateway to a middle-class life.
I really believe in the power of comics as an educational thing, even ones as silly as mine, because they're a gateway to the actual thing. They're like an easy entrance.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
Being the gateway to a large city, St. Louis, I had felt from the very beginning that somehow this building should symbolize this sense of being a gateway.
The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.
People think I have an interest in comics, but I'm only interested in comics from the '40s, like 'Donald Duck' comics.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers.
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