A Quote by Francoise Sagan

The happiness of people who are in love and who are loved shows in their faces. They have an expression that's at once very far away and very much part of the present.
In Jamaica, you're never very far away from people who don't have very much, and in Wilmette, pretty much everybody had a lot.
Most astronomical work has to do with things that are very, very far away and don't affect our lives very much.
I think present-day reason is an analogue of the flat earth of the medieval period. If you go too far beyond it you're presumed to fall off, into insanity. And people are very much afraid of that. I think this fear of insanity is comparable to the fear people once had of falling off the edge of the world. Or the fear of heretics. There's a very close analogue there.
I think that still, for the most part, even in 2010, the vast majority of museum shows and gallery shows and gallerists are pretty much dominated by men. So having a sense of what women are up to, for me, frankly, is very, very important.
I didn't know what hate felt like, not the hate that comes after love. It's huge and desperate and it longs to be proved wrong. And every day it's proved right it grows a little more monstrous. If the love was passion, the hate will be obsession. A need to see the once-loved weak and cowed beneath pity. Disgust is close and dignity is far away. The hate is not only for the once loved, it's for yourself too; how could you ever have loved this?
Yet Irina had once tucked away, she wasn't sure when or why, that happiness is almost definitionally a condition of which you are not aware at the time. To inhabit your own contentment is to be wholly present, with no orbiting satellite to take clinical readings of the state of the planet. Conventionally, you grow conscious of happiness at the very point that it begins to elude you. When not misused to talk yourself into something - when not a lie - the h-word is a classification applied in retrospect. It is a bracketing assessment, a label only decisively pasted onto an era once it is over.
One of the shows I would very much love to be a part of is 'Mad Men' - walking around that office.
Nature Boy There was a boy A very strange enchanted boy They say he wandered very far, very far Over land and sea A little shy And sad of eye But very wise Was he And then one day A magic day he passed my way And while we spoke of many things, fools and kings This he said to me “The greatest thing You’ll ever learn Is just to love And be loved In return
Travelling as extensively as I do... the take away for me has made me very humble and very sympathetic to other people's plight in the world and very desirous of being proactive in being part of a solution somehow and not part of a problem. It's made me very patient and very grateful for where I live.
One word more. You look as if you thought it tainted you to be loved by me. You cannot avoid it. Nay, I, if I would, cannot cleanse you from it. But I would not, if I could. I have never loved any woman before: my life has been too busy, my thoughts too much absorbed with other things. Now I love, and will love. But do not be afraid of too much expression on my part.
This quality, I mean Geoffrey was with me, was very easy doing - he loved me very much, I loved him very much, and we understood each other so well that it was a pleasure to make music.
Hurt is a part of life. To be honest, I think hurt is a part of happiness, that our definition of happiness has gotten very narrow lately, very nervous, a little afraid of this brawling, fabulous, unpredictable world.
When I arrived in France, it was very, very difficult. Not because I was in France - I could have been anywhere - but because I was so far, far away from my parents. I missed them so much.
I love curvy women. Maybe because I'm not. I would love to be a Marilyn Monroe, but I'm very far away from that... So I love very curvy girls.
I'm a person of the arts. I love the arts very, very, very much. And ah, I'm a musician, I'm a director, I'm a writer, I'm a composer, I'm a producer, and I love the medium. I love film very, very much. I think it's the most expressive of all of the art mediums.
I think people really marry far too much; it is such a lottery after all, and for a poor woman a very doubtful happiness.
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