A Quote by Francoise Sagan

Every time I see a film about Joan of Arc I'm convinced she'll get away with it. It's the only way to get through life. — © Francoise Sagan
Every time I see a film about Joan of Arc I'm convinced she'll get away with it. It's the only way to get through life.
Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
It takes stamina to get up like an athlete every single night, seven to eight performances a week, 20 weeks in a row. And there are many young performers who only learn their craft in the two minute bits it takes to film a scene. You never learn the arc of storytelling, the arc of a character that way.
As I was researching, I was struck by how similar the Boxers were to Joan of Arc. Joan was basically a French Boxer. She was a poor teenager who wanted to do something about the foreign aggressors invading her homeland.
I didn’t get her cutting at all. She’d done it sporadically, ever since the accident and it scared me each time. She'd try to explain it to me, how she didn't want to die—she just needed to get it out somehow. She felt so much emotionally, she would say, that a physical outlet—physical pain—was the only way to make the internal pain go away. It was the only way she could control it.
I started doing cocaine to get through interviews, 'cause people wanted to know a lot about my personal life and I wasn't prepared for a 60 Minutes interview every time. Doing bumps I was able to get through the day, but then I would smoke weed to calm me down - it was the only way I could get through the day without people noticing I was doing it.
When I was in New York, I got to see Joan Rivers do an hour of material, and it blew my mind. I don't remember how old she was at the time, but she just had this edgy hour that had so much funny stuff in it, and she was so fearless. If you only watch her on the red carpet, you don't get a sense of what a legendary standup comedian she is.
I always wanted to play Joan of Arc. I've always wanted to do that. Now I'm thinking, 'Maybe there's a story in Joan of Arc's mother!' If I don't hurry up, her grandmother!
Laughter is the best way to get over something or get closer to something. It's one of the things I respect most about Amy Schumer. She's found a way to get us closer to ourselves and see the ugly side of humanity, but not in a way that's pointing a finger or that's angry. She does it in a way that makes us see the absurdity and laugh at it.
I'm convinced that we Black women possess a special indestructible strength that allows us to not only get down, but to get up, to get through, and to get over.
When I read a script or I see a character, I don't necessarily see the arc of her, that by the end she is this person, she's different from she was in the beginning. I guess it's more a subconscious understanding of that arc.
The way I see it, truth only looks good when you're looking at it from far away. It's kind of like that beautiful girl you see on the street when you're riding past in the bus... there she is, this amazing girl walking by on the street, and you think if you could only get off this stupid bus and introduce yourself to her, your life would change. The thing is, she's not as perfect as you think, and if you ever got off the bus to introduce yourself, you'd find out... This girl is truth. She's not so pretty, not so nice. But then, once you get to know her, all that stuff doesn't seem to matter.
One of the things I find exciting about Joan of Arc is how clearly the story of her life reveals the creation of myth, a process in which every one of us is involved - every one of us who tells stories and all those who listen, each informing the other.
In a film you only get two hours to do this big arc and so you have to pick and choose your moments carefully, but with television you get to take your time and just take it episode by episode and discover new things.
If you go into a forest of film stories, you never can get right through the forest straight ahead; you always have to make some U-turns or whatever, because there's some trees in the way. And that's what I'm doing. Sometimes, as an actor, if you make only these intellectual, wonderful films, which I love, from time to time you have to make a film like Armageddon so people see that you're still around.
She was convinced that she was anorexic, because every time she looked in the mirror she did indeed see a fat person.
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