A Quote by Francoise Sagan

After Proust, there are certain things that simply cannot be done again. He marks off for you the boundaries of your talent. — © Francoise Sagan
After Proust, there are certain things that simply cannot be done again. He marks off for you the boundaries of your talent.
When a great poet has lived, certain things have been done once for all, and cannot be achieved again.
Two other things that we hear again and again from our founders, they wish they had done earlier, and that is... simply writing down how you do things and why you do things.
Proust is interested in minutiae because life, as he sees it, is seldom ever about things but about our impression of things, not about facts but about the interpretation of facts, not about one particular feeling but about a confluence of conflicting feelings. Everything is elusive in Proust because nothing is ever certain.
When something is new and hard and bright, there ought to be something a little better for it than just being safe, since the safe things are just the things that folks have been doing so long they have worn the edges off and there's nothing to the doing of them that leaves a man to say, That was not done before and it cannot be done again.
There are things I've done in the past I'm not proud of - and I could talk about them if I wanted to - but I don't reveal my secrets... I prefer certain things to remain personal; there have to be boundaries. And I don't think you need a scandal to have an interesting story.
Travel changes you. As you move through this life and this world you change things slightly, you leave marks behind, however small. And in return, life - and travel - leaves marks on you. Most of the time, those marks - on your body or on your heart - are beautiful. Often, though, they hurt.
You just have to learn certain technical things, like where the camera is, not to block people's light in your own, to hit your marks, and that you do it kind of piecemeal.
I guess I'm bothered by how fans react to certain things and how they're interested in certain things over true talent. I've always appreciated talent over everything else.
If anyone had told us in 1945 that there are certain battles we'll have to fight again we wouldn't have believed it. Racism, anti-Semitism, starvation of children and, who would have believed that? At least I was convinced then, naively, that at least something happened in history that, because of myself, certain things cannot happen again.
After college, I went on a real big classics kick. Read everything by Faulkner, Hemingway, Woolf, Proust, Dostoevsky. And that classics train dropped me off at 'Dracula.' Halfway through it, I understood I'd never be going back, never 'leaving' the genre again. Since then, I've been on a fairly strict horror diet.
Disney is beloved again. They can now attract the talent again and they can hold onto the talent again. People trust them again. It's all return since they went back to the why.
Artistic talent is a gift from God and whoever discovers it in himself has a certain obligation: to know that he cannot waste this talent, but must develop it.
No one would choose to be jerked randomly off task again and again until you have half a dozen things you're trying to get done, all at the same time.
When you're making a film, it's a very technical process. You do things over and over again, and you have to hit your marks and your light and all that stuff.
One of the things that's pretty unique about nu shu, when you look especially at these old letters and stories that have been saved, is that there are certain lines that are very standard that are used again and again. It's almost like a formula in a sense, so that these certain lines come up again and again.
The man or woman who is born of God, who is regenerate, simply does not and cannot continue-abide-in a life of sin. They may backslide temporarily, but if they are born of God they will come back. It is as certain as that they have been born again. It is the way to test whether or not someone is born again.
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