A Quote by Francoise Sagan

I've read Proust and Stendhal. That keeps you in your place. — © Francoise Sagan
I've read Proust and Stendhal. That keeps you in your place.
How about Proust's In Search of Lost Time?" Tamaru asked. "If you've never read it this would be a good opportunity to read the whole thing." "Have you read it?" "No, I haven't been in jail, or had to hide out for a long time. Someone once said unless you have those kinds of opportunities, you can't read the whole of Proust.
Proust is a hero of mine. I read 'A la recherche' in one go, and I'm a very slow reader. It had an astonishing impact, reading it on my own and being my main company. I think Proust is the most intelligent person to ever have written a novel.
One measures oncoming old age by its deepening of Proust, and its deepening by Proust. How to read a novel? Lovingly, if it shows itself capable of accomodating one's love; and jealously, because it can become the image of one's limitations in time and space, and yet can give the Proustian blessing of more life.
If you live in a place that you perceive to be a crowded place, you appreciate government; you see it as this thing that protects you against crime, that keeps order, that makes sure that nobody puts a massage parlor next to your house, that keeps other people's dogs from pooping on the sidewalk.
In the spirit of Julian Barnes's Flaubert's Parrot and Alain de Botton's How Proust Can Change Your Life, Mr. Dyer's Out of Sheer Rage keeps circling its subject in widening loops and then darting at it when you least expect it . . . a wild book.
I'd like to read all of Proust.
I find it's impossible for me to read Proust.
You know sit with your arm around a little kid and read. It not only teaches them to read but it keeps the family strong.
I have never read a really good novel written by a man where women are portrayed as they truly are. They can be portrayed externally very well - Stendhal's Madame de Renal, for example - but only as seen from the outside.
It is one of the many merits of this admirable biography of Proust's mother that it invites one to return to the novel with perhaps a fuller understanding of Proust's heredity, hinterland, and upbringing. . . . This fascinating book is full of interesting social and cultural observation, of information about French Jewish life, the position of Jews in society and, of course, the Dreyfus case. But it is essentially a study of one of the most remarkable and fruitful of mother-son relationships. As such it is a book that every Proustian will want to read.
I haven't read a word of Proust. And I listen obsessively to sports radio.
The weight room prevents you from getting injuries, keeps your body durable and, working out even during the season, it helps a lot. It keeps your body loose, it keeps strengthening your body, especially the functional stuff.
Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
I read "Remembrance of Things Past" in the original French. I never start the day without reading me some [Marcel] Proust.
The dominant question for us with regard to literature has become, 'What does this have to do with me, with life as I know it?' That's the question answered by all these books about how Proust was actually a neuroscientist or how Proust can teach you emotional intelligence.
I don't read anything about my movies before or after I do films, or any part of show business. I think that keeps me in a kind of place where I can do the work that I need to do.
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