A Quote by Frank Auerbach
I think that the very earliest influence was a horror of having to work in a bank or an office, a desire for a free and creative life.
Related Quotes
Somehow, having an office that I had to go to made me want to work from home, which is easier to do if you don't have a boss waiting for you at the office, even a very blue office.
I get up every morning with a desire to do some creative work. This desire is made of the same stuff as the sexual desire, the desire to make money, or any other desire.
The first time you have a little success, some good feedback, you start imagining having a career, or being a professional musician. But while being creative, or doing creative work, is very natural for humans, to think of that as your main occupation, that's a really important transition.
Regardless of any feedback. I love being a solo artist and having creative control. But it can be very nourishing and informative and flex very different creative muscles to work for someone else. You are essentially employed by the director. I love the challenge of that.
We're really excited to be partnering with Santander. They presented us with a really fun creative which we couldn't resist, who would say no to having their own bank brought to life.
Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.
I was born on Halloween night, 2:00 am on November 1st, but still Halloween night in the USA. I think it was a destiny for me to work quite a bit in the horror genre. I love the horror genre. Since I was a teenager, my friends and I used to go to a video store and rent many horror movies that we would watch over the weekend and then scare each other at school. I've been fascinated with the horror genre all my life.
Office life is very, very strange. It's like no other way of living. You have an intimacy with people who you work with in the office, yet if you meet them on the streets, you both look the other way because you're embarrassed.
I think my Buddhist practice has a profound influence on my life and encompasses my creative projects.
I think my Buddhist practice has a profound influence on my life and encompasses my creative projects
I'm just old enough to be able to say I got those very first Beatles records right as they were hitting America. My father brought them home. It was definitely the earliest musical influence on my life, and still one of the greatest.
My parents are very supportive of my work. It's my father who encourages me to keep going and my mother she's very proud. She's keen that I do something creative rather than just printing money in some city bank, you know which I couldn't have done, anyway.
I am not sure when it became de rigueur for presidential candidates to publish a work between hard covers, but nobody now runs for high office without having written, or having arranged for the ghostwriting of, a very large book.
Deliberately seek the company of people who influence you to think and act on building the life you desire.
I don't believe in work-life balance. I think it's more about work-life integration because, increasingly, so much time of ours is spent doing work, so I've always wanted to dedicate my work life to having a social impact.
The main thing about SpongeBob is that he celebrates innocence. His outlook on life is very optimistic and earnest, and I think kids relate to that. He has a creative spark in the same way children are very creative from an open and naive perspective.
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