A Quote by Frank Black
If you're going to exude naivete, you can't really... walk out there like it's a Sting show. You can't be that well put together and then have this kind of innocent bravado.
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My style is edgy but really put together. I'm not the kind of girl to walk out of the house in booty shorts and a crop top and Converse. I don't like that look.
When I was in New York, I put together a show; I put together this really great band and performed at this place called Littlefield in Brooklyn. It was really fun. I did, like, 10 standards, and then I just hopped around different bars like Mona's and different jazz clubs in New York just singing because I know all the standards so well.
This record was kind of, like, innocent. It's called 'The Innocents.' So it's the concept of being young enough to not really understand the implications of your decisions and then kind of feeling the weight later and being, like, but I was innocent. Like, did I deserve this?
My first 'Tonight Show' was just one of those things - I mean this seriously - a cosmic, meant-to-be coming together of circumstance. You walk out there to do your first 'Tonight Show': Is the audience going to be hot? Are you going to be on fire? It's like an athlete: Are you going to have your moves at a peak?
I really like arcade games and like the '80s and early '90s kind of games, just because there's a real kind of naivete to them, but there's like a real inventiveness to it as well.
So, the role of a producer is to kind of look at the show, kind of give our takes on what we see, and that'll be prior to the production meeting. Then, we kind of get assigned our matches and our segments, and then we - I like to go and collaborate with talent, and we put together what we see on TV every Monday and Friday.
Some players out there don't really interact with the crowd - they're really serious - but I think it's part of my personality as well. I go out there, and I like to entertain. I like to put on a bit of a show.
When you put a new show out, you always have a few kinks that you need to iron out, and you need to dial your show in. You figure out over a couple of weeks what songs work well together and what songs may not have the impact you thought they would at that spot in the show.
I don't want to live in a world where I just kind of play on my naïveté - well if I don't know it, then it doesn't exist.
Every once in awhile, Allison Abbate would drop a note and say, "It's going really well!," and I was like, "Great!" So, I had not seen it in about two years. They went off and started shooting, and I saw it all put together with almost the final sound mix and it was remarkable. I was so, so happy and relieved, not in the sense that I thought something had gone wrong, but you just don't know what something is going to be like until you see it put together. Everyone stepped up and brought their A+ game.
I did a show called 'Freaks and Geeks' when I was very young. And I had the naivete and arrogance of youth. You know, I really assumed that when the show got cancelled, like, oh, it doesn't matter, you just keep rolling, you know. I'm about to be the biggest star of the world. And then I was met with five years of unemployment.
A lot of actors lack confidence - even if you're doing really well, you kind of feel like this might be your last job. I enjoy the feeling of, "Maybe I've bitten off more than I can chew," and then working really, really hard and thinking, "Wow, I like that. I did that." Don't get me wrong, I'm not the kind of person who jumps out of planes and enjoys bungee jumping or anything like that, but I definitely enjoy living quite spontaneously and going with the wind.
I just kind of talk about what's happening in my life and it's kind of like a therapy session. Usually something good comes out of that. Or sometimes other writers will come to me with ideas and then I'll put my own spin on it. It's usually really collaborative and open and it's very therapeutic for me as well.
Well, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that.
I really want to show women that it is OK to have a career and put that - not necessarily first, but to put it out there. You can do it all. Is it going to be hard? Yes. Is it going to be worth it? Of course.
Well not really to get attention, but to entertain, but you know to show some elements of rural life as well, it kind of blended all in, its kind of like a mockery in a sense, kind of stab back at people that have those stereotypical ideas of the south.
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