A Quote by Frank Black

It's sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That's the level where I want to go.
Sometimes I just go into Shakespearean sonnets and end it with a nice little couplet.
I have to say, you know, I've seen so many people go through the cycle and become famous and not famous anymore and, you know, want - have their priorities change and want different things.
With Fountains Of Wayne, I almost always start with lyrics - maybe not the entire lyric, but I almost always need a couplet or something, and then I work from there. With Ivy, it's much more about the atmosphere and the vibe.
If it's just a pastime, keep doing it because it's relaxing and to blow off some steam. But if you're not sure if you want to do it, or you're thinking you can be famous, you shouldn't do it because you want to be famous. You have to do it because you love it and you want to play for people. And if that's what you want to do, then do it, but you can't go into it with that mindset of "we'll be in a band and we'll be famous."
Very nice couplet, although there are dull stretches.
But there's nothing that gives me more thrill than when I'm writing and a couplet works. I find the right rhyme, or it's just perfect. There's nothing that exciting.
Look at the news stand, you know? I mean, it's a cacophony of famous people or people who want to be famous with blurbs all around it, and it's supposed to be, you know, that's supposed to be creativity in journalism. My God, it's unbelievable. It's shocking.
The form I most enjoy writing is the sonnet or sonnet-like forms, where you have a - you know, three stanzas or two stanzas that lead into a concluding couplet.
As long as I'm working in sport, enjoying it and getting to see some wonderful sporting events, I'm quite happy. I don't want to be really famous. I don't want people to stop me in the street. I want to just enjoy the work, work with lovely people, work on good quality sport and get to experience some more of these amazing moments.
What is so weird is that young people who want to be 'celebrities' do not want to put in the hard work. They don't want to do the training, go to drama school, read Shakespeare, try different accents and study technique. They just want to be famous. It is not just in England; it's the same in America and all over Europe.
The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.
I don't want to be famous famous. I'm happy on the second tier, where I have autonomy on a professional level but I can still go out to the movies without being recognized.
I live in New York and there are a lot of famous... pizzerias in my neighborhood, it's really hard to find one that isn't famous. Which sucks sometimes, you know what I mean, sometimes I don't want all that glitz and glamour, I just want something delicious, you know? I don't need a celebrity in my mouth, Ray's Up And Coming Pizza would be fine.
They have written volumes out of which a couplet of verse, a period in prose, may cling to the rock of ages, as a shell that survives a deluge.
I want to live in a world where people become famous because of their work for peace and justice and care. I want the famous to be inspiring; their lives an example of what every human being has it in them to do - act from love!
If you want to write about people, you can make it up. But if you spend time talking to someone and examining what it is you want to write about, you discover a level of detail that you wouldn't have noticed otherwise.
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