A Quote by Frank Black
I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It's hard to say whether or not you're a believer. I've been interested in that subject matter, like lots of people. Perhaps foolishly, I've allowed some of that stuff to creep into my music.
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It's hard to come up with a 'quote' about myself. Perhaps I could say that most of my writing has been concerned with understanding between people. Whether of different races, or religions, or even in the same family I tried in my books... to deal with the subject of understanding the other fellow.
Intuitionists think that there are cases in which, say, some identity statement between real numbers is neither true nor false, even though we know that it cannot possibly be false. That is: We know that it cannot not be that a = b, say, but we cannot conclude that a = b. We can't, in general, move from not-not-p to p in intuitionistic logic. , I suggest that the believer in vague objects should say something similar. It can never be true that it is vague whether A is B. But that does not imply that there is always a fact of the matter whether A is B.
I got a reputation for being 'eclectic' or some damn thing like that, but to me, the different kinds of music I play are all the same stuff - good time music - and it is the only stuff I can do.
I haven't been walking around for years with some burning desire to do a solo record. If I had, maybe I'd have made a record that was experimental. Usually, the idea of a solo record is to get some weird stuff out of your system, but I don't think like that. I wasn't interested in making something that was a hard listen - maybe I'll get around to that some other time. I wanted it to sound effortless, not like I was trying to reinvent the wheel.
I was born in Philadelphia, Pennsylvania, and am a product of a family that were jazz aficionados and also very interested in progressive politics. And so I had a lot of artists and musicians in my home. Lots of Latin music, folk, and jazz and blues, bluegrass-type of stuff. Painters and stuff like that.
Society may no longer define marriage in the only way marriage has ever been defined in the annals of recorded history. Many societies allowed polygamy, many allowed child marriages, some allowed marriage within families; but none, in thousands of years, defined marriage as the union of people of the same sex.
I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
Whether we have a new baby, a sick parent or an injured spouse, taking time off to care for our family member or ourselves is a need almost every one of us experiences during some point in our lives. This is true no matter where people live, what their income level is, or what kind of job they do.
Comedy has allowed me to be my 100-percent-true self, as opposed to other places, where I feel like that's been a hindrance. Whether it's music or poetry or hosting, people want you to be something else: they want you to be packaged in a certain way.
I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.
The prostitute is the scapegoat for everyone's sins, and few people care whether she is justly treated or not. Good people have spent thousands of pounds in efforts to reform her, poets have written about her, essayists and orators have made her the subject of some of their most striking rhetoric; perhaps no class of people has been so much abused, and alternatively sentimentalized over as prostitutes have been but one thing they have never yet had, and that is simple legal justice.
Over the past eighteen years I have acted as a scientific consultant to the U.S. Air Force on the subject of unidentified flying objects - UFO's. As a consequence of my work on the voluminous air force files and, to a greater extent, of personal investigation of many puzzling cases and interviews with witnesses of good repute, I have long been aware that the subject of UFO's could not be dismissed as mere nonsense.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
Let's say for instance people say, "He's a really totalitarian, strict guy, he's hard to work with or whatever." I don't think it's true, but people's perception of me leads that direction, like I'm a fundamentalist person. I end up having to spend extra time saying, "I'm not a fundamentalist." I have other stuff to do.
My songwriting process, and maybe loads of other people's, is just this sort of smashing together of emotions and stuff to make some music. It's kind of simple and really complex at the same time and, as you can see, incredibly hard to explain.
Of course there's some things that I would have liked to have... none of my friends growing up had their father in the house. None of 'em. We had uncles and stuff like that, but nobody had a father in the house, none of my friends.
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