A Quote by Frank Borman
When you're finally up on the moon, looking back at the earth, all these differences and nationalistic traits are pretty well going to blend and you're going to get a concept that maybe this is really one world and why the hell can't we learn to live together like decent people?
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When I circled the moon and looked back at Earth, my outlook on life and my viewpoint of Earth changed... Earth is a spaceship, just like Apollo - and just like Apollo, the crew must learn to live and work together. We must learn to manage the resources of this world with new imagination.
If somebody'd said before the flight, 'Are you going to get carried away looking at the Earth from the Moon?' I would have say, 'No, no way.' But yet when I first looked back at the Earth, standing on the Moon, I cried.
I'm just looking for things to steal [on working with great actors]. It's like going back to acting school. When you're around people that do it well and you get your head out of your ass, you can really learn something.
If we go back to the moon, we're guaranteed second, maybe third place because while we are spending all that money, Russia has its eye on Mars. Landing people on the moon will be terribly consuming of resources we don't have. It sounds great - 'Let's go back. This time we're going to stay.' I don't know why you would want to stay on the moon.
Probably hundreds of thousands of saved pregnant mothers are going to be going up in the Rapture, and you know good and well they are going to have their babies either in Heaven or when they get back to Earth in the Millennium!
To a certain extent everybody has a certain sort of way of being a persona that they learn how to be when they're really little. They figure out that if they're really funny, or really pretty, or if they work really, really hard or are really smart, then that's what's going to get them by. That is what is going to make people like them.
I think people want to feel that it is possible to overcome differences to work together in times of stress. Maybe that's why so many people are looking for an alternative to the standard superhero movie or TV show. They are looking for characters with more dimension.
I've been divorced and I had to get back out there be single again and do some of that in the genuinely miserable state where you really do wonder what the hell is going on. And you feel like trying to have casual conversation with someone you don't know on the surface of the moon or something.
I didn't have a ton of role models back in 1998. So, when I was looking to get in, it was really just looking up at all the men who were out there. When you're not seeing women - when you're breaking into anything - it's like, "Well, this is what the men do and how they act, so we're going to just emulate that behavior."
It’s really simple actually. It’s just, try and make people happy. Maybe you have to learn with time. Maybe you have to learn it the hard way. But as long as you learn it, you’re going to make the world a better place.
When you play me, I'm going to get right up in your grill and let you know it's going to be a long day. It's going to be physical. It's going to be something you don't like. It's going to be hell.
You do see a few people and you are thinking of how that chemistry is going to work, but it's not really fair to put people who are auditioning together in a room. You have to make that judgement yourself, and that's partly where the casting director is so good. It was that blend that we were looking for.
Because you think an explosion has taken place and you're looking at the shards and you say, 'Well, can we put this back together?' And by God, maybe you can put it back together. And maybe it won't be the same, but maybe it will be different, and maybe it can even be better in a different way.
We don't know how to live together on Earth, how the hell are we going to live together on Mars?
Tom Hart, David Lasky, Ed Brubaker, Megan Kelso, Julie Doucet. These people lived comics. The people in Seattle got together every week to draw and critique each other's work. Outside of art school, I never did that. When I came back from that trip, I had a physical, palpable sense of being self-conscious. It was the first time I'd drawn where I was like, "Holy cow, people are going to read this. They're going to like it, or they might not like it. Maybe I really should make my drawings a little more solid, or really think about what I'm doing. Maybe this shouldn't be so sloppy."
We have to face the fact that either all of us are going to die together or we are going to learn to live together and if we are to live together we have to talk.
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