A Quote by Frank Bruno
Journalists have always written that my mum said that I punched a hole through my cot when I was three years old. I don't remember doing that, and I think it was more that I was very energetic.
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They have a new division where you have to be at least 80 years old. You play three days for a million dollars, one hole a day, and if you can remember what you shot, you win!
I was always pretty ambitious, although it probably helps that I can't do anything else - apart from cleaning lavatories. But I remember my mum once said, 'I suppose you'll give it a year and see if you can make it as an actress?' And I said, 'No Mum, I think I'll give it 10.'
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.
It isn't always the funnest feeling, sparring three days a week, getting punched in the face at 38 years old, it might not always be the funnest feeling but it's better than a lot of other things. I love it.
Mum said earlier what a lovely dress you’re wearing.” Beryl’s eyebrows wriggled like two tiny tapeworms. “This?” she said. “But I’ve had this for years.” It was a beige dress that would have looked better on an eighty year-old. Any eighty-year-old, man or woman. “I think you’ve really grown into it,” Valkyrie said. “I always thought it was a little shapeless.” Valkyrie resisted the urge to say that was what she meant.
Journalists, especially English journalists, were very cruel to me. They said I only knew three chords when I knew five!
That's something that Francis [Ford Coppola] would always say. I remember when I was doing Tetro, he said, "Stay innocent. I'm 69 years old, and I'm still innocent."
Many years ago a very wise man named Bernard Baruch took me aside and put his arm around my shoulder. "Harpo my boy," he said, "I'm going to give you three pieces of advice, three things you should always remember." My heart jumped and I glowed with expectation. I was going to hear the magic password to a rich, full life from the master himself. "Yes sir?" I said. And he told me the three things. I regret that I've forgotten what they were.
But the absence of him is everywhere I look. It's like a huge hole has been punched through my chest.
I performed in public for the first time at three years old. I remember it like it was yesterday. It was on a big stage. There were probably three or four hundred people in the audience. We were doing this dance, this Kermit the Frog routine, all of us in our little green leotards.
I remember when I was - I must've been 17 or 18 years old - I remember 'The Empire Strikes Back' had a big cliffhanger ending, and it was, like, three years before the next one came out.
It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible.
'Stargate' has always had this empty hole. When we made the first one, we always intended on doing part two and three, and we were prevented for years. And our hope is that we can get another chance at 'Stargate' and tell the entire story we wanted to tell.
James O'Keefe is a journalist, doing the work 'real' journalists don't dare, and has been conducting undercover investigations for years with dozens of scalps collected along the way. The more the 'true' journalists who back the Democrat machine attack him, the more emboldened he becomes to pursue his next project.
I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.
I was always storytelling, since I was a child. I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties.
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