A Quote by Frank Coraci
The thing that's nice about working with Adam [Sandler] is that there's sort of a family vibe, cause people who have worked on his movies have worked on many of his movies, so along with the kids and the cast, all the people that worked on the movie, it was like a family and every day we'd make each other laugh.
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I've worked with non-professional actors, I've worked with movie stars, I've worked with kids, I've worked with older people, and I've found my job as a director is to cast them well and to understand what they need on set to bring the material to life.
My dad is a part of who I am, and he was a very hard working person and someone who worked to achieve his goals and make sure his family is straight and I always admired that. My mom worked so hard. I had two hard-working parents around me.
Adam [Sandler] is a good basketball player, so he is a natural athlete, he worked with Sean Salisbury to make his footwork and delivery smooth, and he did a great job.
Make movies you love because it's miserable. Every movie I've worked on at one point or another is exhausting, and you feel like you're making a bad movie.
For something to be profitable doesn't necessarily mean it's the best thing in the world for the director. You judge a movie by different standards - I've worked on comedies, and now I've worked on superhero movies, and the reviews are almost parenthetical in both of those genres.
Steven's Spielberg is one of the most visually talented and character-oriented directors I've ever worked with. And I learn from him every time I watch one of his movies. Good or bad - and he has made some awful movies - they're never uninteresting. He's made four or five of the greatest movies of all time. Perfect movies, like E.T. or Schindler's List or Saving Private Ryan.
One thing I always heard from the begining when I talked about this being a movie - was that the rule is that animated movies don't work unless they're Disney movies for kids. Unless they're family movies.
All my family worked for Puma. My mother worked there, and my father was the guy that opened and closed up in the evening. We lived in the neighbouring building - just a couple of steps, and I would be in the Puma factory. All 300 people that worked there knew me; it was my adventure playground. I knew everything, even how to make a shoe sole.
It's a mistake to just go make a movie where the whole thing is talking down to the kids like, "Ok, we gotta bring the IQ of this movie down because it's a kids movie" You don't have to do that, kids can laugh and parents can laugh at different parts and that's fun, and you see that with all of the great kids movies.
My paternal grandfather worked in the mill all his life. My father worked in the mill almost his whole life. I worked in the mill while I was going to college in the summers. And then, for one stretch, I quit school and worked one year.
If you look at anybody who's had along career, if you look at the choices they've made - even if the movies haven't worked - they've always worked with great filmmakers.
In 'Billy Madison,' I worked with Adam before anyone really knew he was Adam Sandler.
I have a fashion degree and worked as a buyer for Calvin Klein and Macy's before I had kids. I've always worked. I love to work. But my family comes first.
All my kids have worked in the family business. I've been successful at that. My family knows how to work. We all started working very young.
My mother worked for a white family that lived in one of the mansions on the beach. The husband in the family was a lawyer; he worked for a firm in New Orleans.
I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.
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