A Quote by Frank Crane

Next, in importance to books are their titles. — © Frank Crane
Next, in importance to books are their titles.

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I've been very fortunate at having good titles but I just think in terms of titles. I'm doing a workshop now where people write books and they come and I name their books for them. I'm good with titles.
I write titles that are confrontational. I write titles that make people want to pick up a book and find out more about it. I write good books; I write great titles though.
Titles and mottoes to books are like escutcheons and dignities in the hands of a king. The wise sometimes condescend to accept of them; but none but a fool would imagine them of any real importance. We ought to depend upon intrinsic merit, and not the slender helps of the title.
I have registered few titles like 'Bharat Bandh,' 'Calendar Girl,' 'Money Politics.' The titles just intrigued me, so I registered. I had a title, 'Jai Ho,' which I gave to Sohail Khan for his next film with Salman Khan. These are typical Madhur Bhandarkar kind of films. I may make a film or not on such titles... not sure yet.
We realize the importance of light when we see darkness. We realize the importance of our voice when we are silenced. In the same way when we were in Swat, we realized the importance of pens and books when we saw the guns.
There's this trouble with books for me because I'm terrible at thinking of titles. The truth is, even with the titles that I've landed on in the end, they always feel wrong. I think it's because of this whole problem of having to package your book in a certain way.
Books, books, books. It was not that I read so much. I read and re-read the same ones. But all of them were necessary to me. Their presence, their smell, the letters of their titles, and the texture of their leather bindings.
It's not the honors and not the titles and not the power that is of ultimate importance. It's what resides inside.
I've won titles at home, I've won them abroad, I've defended titles abroad and lost them, and gone on to dominate my next opponent to win them back.
Estimates are that in 2012, more than 32 million books were available - the explosion, thanks to the ease of self-publishing; 2013 could see even more titles grace our virtual bookstores! That means we are going to be awash in covers and titles, plot descriptions and characters.
Old books that we have known but not possessed cross our path and invite themselves over. New books try to seduce us daily with tempting titles and tantalizing covers.
With so many millions of titles available, the books that will get talked about are the books that make readers talk about them.
I have a hard time recalling the titles of books.
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation.
Organization charts and fancy titles count for next to nothing.
I like working in children's books because it gives rise to such a variety of jobs. One month it may be a picture book, the next a retelling, the next a play, a short story or the start of the next novel.
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