A Quote by Frank Deford
The NBA Schedule was made up by one man, Eddie Gottlieb, who had owned the Philadelphia Warriors. Eddie had a Buddha-like body and a crinkly smile, and because he had also been an owner in baseball's old Negro leagues, he was known as the Mogul.
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So this is the young man who has intentions toward my little girl." Bobby shifted in his seat and crossed his legs. "It is not fun on this side of the table, is it, Robert?" Uncle Eddie huffed, and Kat had to remember that once upon a time her mother had been a dark-haired girl in that kitchen, and her dad had been the stray she'd brought home. She watched the two men looking at Hale as if they'd never before laid eyes on him. "He's better-looking than the last vagabond I had to take in," Eddie said, standing and carrying empty bowls to the sink. "I'll give him that.
We were playing a small club in San Diego and the power had gone out in the building. Eddie had a lighter and kept us lit backstage. We became very good friends and spent a lot of time together including hearing Eddie sing in some of the bands he was in at the time.
But Eddie does not make all the decisions. Eddie can listen to reason; Eddie can be swayed or talked in or out of certain things. Eddie allows other people to lead in this band and to have certain roles that are very fundamental to the decision-making process.
Everything was a lot more challenging for me because of who my brother was. If I were in the film, someone would had said that I got the part because Eddie's in the film. If I wrote a script, folks would say that I didn't really write that: that Eddie did and I threw my name on it.
Up until then I'd thought that white people and colored people getting along was the big aim, but after that I decided everybody being colorless together was a better plan. I thought of that policeman, Eddie Hazelwurst, saying I'd lowered myself to be in this house of colored women, and for the very life of me I couldn't understand how it had turned out this way, how colored women had become the lowest ones on the totem pole. You only had to look at them to see how special they were, like hidden royalty among us. Eddie Hazelwurst. What a shitbucket.
Eddie Conway is central to my first memories. My parents used to take me to, when it was open, the Baltimore city penitentiary to see Eddie Conway - I was talking to my dad about this recently - from the time I might have been one or two years old. I mean, literally, my first memories are of black men in jail, specifically of Eddie Conway.
Richard Pryor - he had stories, he had characters, he had short jokes, and he had bits. He had all those things. Eddie Murphy has all those things, and he can sing. A comedian is a bunch of stuff; it's not just one area.
The trickiest thing is that a lot of times in 'Venom' comics, they'll reveal part of Eddie, and he'll be like a Venom body with an Eddie head, or he'll do that classic split frame face.
This is a story about a man named Eddie and it begins at the end, with Eddie dying in the sun.
I had seen Cheers twice, I think. Ted [Danson] had so much hair in his widow's peak that I remember thinking, "That dude looks like Eddie Munster."
He really just wanted to go about his business. I would put Eddie Murray in the same category as Andre Dawson. He would like to kid around with the press and (be surly), but he was a total professional. I see why he is a Hall of Famer. I am just glad I had the pleasure of playing for Eddie (Murray) for one year.
It was as if the demise of the owner had lent the flat a physical void it hadn't had before. At the same time he had the feeling that he wasn't alone. Harry believed in the existence of the soul. Not that he was particularly religious as such, but it was one thing which always struck him when he saw a dead body: the body was bereft of something...the creature had gone, the light had gone,there was not the illusory afterglow that long-since burned-out stars have. The body was missing its soul and it was the absence of the soul that made Harry believe.
I was writing with different people in Nashville - whoever I could. Eddie Hinton came on the scene about 1963, and about four years later we wrote a ton of songs together. I drifted around, but Eddie and I had some cuts through the '60s and '70s. I went on the road with Kris Kristofferson in 1970.
Eddie Jordan found me all the drives. If I am with Tyrrell today, it is because Eddie was there.
I was branded a Negro in the States and had to act accordingly. They wouldn't even give me a chance in the big leagues because I was a Negro, yet they accepted every other nationality under the sun.
I protected Eddie. He never had to fight, because people knew who his older brother was.
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