'The Great Gatsby,' by F. Scott Fitzgerald, remains the most perfect novel that has ever come out of the United States. Everything in the book moves as it should, in the manner of a piece by Bach or Mozart.
Movie directors who have filmed F. Scott Fitzgerald's 'The Great Gatsby' believe it's a big book looming inside a small one, and they aren't altogether wrong.
Fitzgerald could sense that America was poised on the edge of a vast transformation, and wrote a novel bridging his moment and ours. The Great Gatsby made manifest precisely what Fitzgerald’s contemporaries couldn’t bear to see, and thus it is not only the Jazz Age novel par excellence, but also the harbinger of its decline and fall.
I can only remember two books from college that moved me: E.M. Forster's 'Howards End' and F. Scott Fitzgerald's 'The Great Gatsby.'
It’s Fitzgerald’s thin-but-durable urge to affirm that finally makes Gatsby worthy of being our Great American Novel. Its soaring conclusion tells us that, even though Gatsby dies and the small and corrupt survive, his longing was nonetheless magnificent.
I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
The best work of literature to represent the American Dream is 'The Great Gatsby' by F. Scott Fitzgerald. It shows us how dreaming can be tainted by reality, and that if you don't compromise, you may suffer.
What is most appalling in an F. Scott Fitzgerald book is that it is peopleless fiction: Fitzgerald writes about spectral, muscledsuits; dresses, hats, and sleeves which have some sort of vague, libidinous throb. These are plainly the product of sickness.
I fantasised about F. Scott Fitzgerald's 'The Great Gatsby' - I loved it, and then I read everything J. D. Salinger had to offer. Then I was turned on to Kerouac, and his spontaneous prose, his stream of consciousness way of writing. I admired him so much, and I romanticised so much about the '40s and '50s.
Mr. Scott Fitzgerald deserves a good shaking. Here is an unmistakable talent unashamed of making itself a motley to the view. The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life.
When you hear Bach or Mozart, you hear perfection. Remember that Bach, Mozart and Beethoven were great improvisers. I can hear that in their music.
Composers most identified with the chamber music form are Corelli, Vivaldi, Haydn, Mozart, Beethoven, Schubert and, of course, Bach. Of course, Bach. If there is any one composer who gives us reason and emotion, it is Bach.
Writers are notoriously unable to know about themselves. Faulkner thought 'The Fable' was his best novel. F. Scott Fitzgerald liked 'Tender Is the Night,' an experimental novel.
Bach is a colossus of Rhodes, beneath whom all musicians pass and will continue to pass. Mozart is the most beautiful, Rossini the most brilliant, but Bach is the most comprehensive: he has said all there is to say.
The Great Gatsby, the finest novel ever written.
Bootleggers were romanticized by people like F. Scott Fitzgerald, for example. Gatsby is a bootlegger. And they were not thought of as evil criminals in the newspapers, either. There was a certain amount of affection for them.
There are some things fundamentally off about the stance of the book. And maybe that's okay; maybe every book is flawed, and great books, as flawed as they might be, articulate a moral argument that the reader then carries forward. The critique to this model is, of course, to ask: Should a book be ever so perfect that you come out of it with complete moral agreement that can be sustained?