A Quote by Frank Dukes
I don't really generate material specifically for the Kingsway Music Library. It's just a product of the way I work.
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The Kingsway Music Library was sort of a byproduct of all the creation I was doing. As creators, we kind of just create blindly sometimes and I couldn't physically see every idea through, so I created this ecosystem where I made the ideas available to people to download, to sample and to put their own twist on it.
Being a fan of science fiction, I collect a lot of science fiction art work and so if you go to my house there's like a library and you just geek out on science fiction material. A lot of the colony worlds specifically are built as a melting pot of different societies, because the world is at a point where there are only two zones that are left inhabitable.
As a kid I would get my parents to drop me off at my local library on their way to work during the summer holidays and I would walk home at night. For several years I read the children's library until I finished the children's library. Then I moved into the adult library and slowly worked my way through them.
As a kid, I would get my parents to drop me off at my local library on their way to work during the summer holidays, and I would walk home at night. For several years, I read the children's library until I finished the children's library. Then I moved into the adult library and slowly worked my way through them.
I've always believed that the best way you combat intellectual property theft is making a product available that is well priced, well timed to market, whether it's a movie product, TV product, music product, even theme-park product.
My father encouraged me to work in the library, just because it was the world that he knew. But I also wanted to do it. I also wanted to work in the library and be part of the library somehow, because it represented a world that really wasn't represented in my home, and I wanted it to be.
I was in the music industry as Amanda Diva for 10 years but I realized that I had bigger work to do and needed to get busy doing that work. I really do believe that I'm here for a bigger purpose, and I want to be a role model and speak for the black community and black women specifically. Humor was the way it felt most organic and effective for me.
I'm not reading what I write when I wrote. It's an unconscious outpouring that's a mess, and it's many, many steps away from anything anyone would want to read. Creating that way seems to generate the most interesting material for me to work with, though.
The way I sort of approach my work is that the historical and socioeconomic and cultural worlds that the music is exploring dictate the visual experience and the way that we approach it specifically on film.
Great art is not instant. It comes from experience, it comes from a place within. If you're trying to generate material, then you're going to generate stuff. It's not going to be great, it's just going to be stuff.
I really believe we in the music industry can work together to find a way to bond technology with integrity and just really hope we can teach the younger generation the value of investment in music rather than the ephemeral consumption of it.
I traveled to a library in South Africa called ILAM (International Library of African Music), which has a collection of about 500 different instruments that don't really exist anymore.
Natural selection based on the differential multiplication of variant types cannot exist before there is material capable of replicating itself and its own variations, that is, before the origination of specifically genetic material or gene-material.
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I'll be okay. It really helped me as a child, and that never left me. So I have a special place for every library, in my heart of hearts.
Material things are not helpful after a certain degree of saturation. So you turn to other products. I think that therapy is a product that can transform you. But why does it need to be packaged as a product? Why can't I work on myself with my friends and family?
I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.
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