A Quote by Frank Dukes
I was into skateboarding, so through skating I kind of got into hip hop by discovering it through skate videos.
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Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.
I used to skate a lot when I was a kid. I loved it and was quite good. When I came back to London in around '85, I got really into skating again. But at the time, it had no influence from hip-hop. It was just thrash rock, hardcore rock, and skulls and all black - that kind of style. In Japan, the skaters were also strictly into rock culture, too, but I was coming from the hip-hop side, so for a while it was difficult to mix both interests.
From 8 to 19, I was skateboarding every single day. That was my life. I worked at a skate shop. I watched skate videos.
The Temple of Hip-Hop makes sure that we don't just approach hip-hop just through music or through rap. We approach the totality of hip-hop.
I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.
All the coverage of skateboarding sucks. They couldn't care less when it comes to how skateboarding is portrayed. All I can do is portray it the right way when it comes to me. So skateboarders can look at what I'm doing and say, "Yeah, the only person doing it the right way is him." That's why Street Dreams was so important in being 100% true to skate culture. That's why the Wild Grinders are important in showing the different styles of street skating. That's why I get involved in building the skate parks. All I can do is show skateboarding the right way.
I think the hip-hop purists are purists through and through. They're here to criticize all of us. That's just how it is. We as MC's criticize each other. That's the nature of hip-hop.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.
It was mostly through pop culture, through hip-hop, through Dungeons & Dragons and comic books that I acquired much of my vocabulary.
This is something I've always wanted to do- to skate through a part of New York City that thousands of people ride through every week, feeling the energy of one of the original stomping grounds of street skating.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music
Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
I love skateboarding because it's the funnest thing on earth. And that goes for, not only if you're one of us about to skate the Olympics or just a kid out there skating your skate park, just having fun. It's the freedom, the love. It brings us all together and the nonstop challenge and the progression.
I love hip-hop videos. It was not meant as disrespect. I used to watch those videos and think, "Are these guys kidding? They've got to be kidding!" But they're not and that in itself is what makes them good.
I got introduced to the rave scene in 1992. At the time I was into skateboarding; I listened to a little hip-hop but was mainly into heavy metal and grunge.
All the skateboarding brands that I was into had graphic T-shirts. In the '90s, there were different styles that went along with the different influences in skateboarding, whether that be hip-hop or rock and roll and grunge. And that's what I was into, so I was following all that.
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