A Quote by Frank Dukes
When I go in the studio with Post, I have a really good idea of what he's going to gravitate to, what we can work with.
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I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
When I write in the studio, I tend to gravitate toward the ability to play really loud, aggressive, post-punk stuff, with big, heavy guitars and a big rock drum sound.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
When I go in to the recording studio, I already know almost exactly what I am going to do, but when I go to set, it is really a wildcard. I have no idea what is going to happen.
At some point, I went to the studio and nothing happened. It can be really depressing to sit there and wait for the inspiration that doesn't come. I had to start recording rough song ideas before going to the studio. I did that at home whenever I had a good idea.
Building a professional relationship on respect as opposed to affection is a very good idea. Running your art projects the way you'd run a dry-cleaning business is also a really good idea. You shouldn't go into work like you're going on a date, like you're hanging out with friends.
I really don't have a specific idea of where I want my career to go, I just have an idea of wanting to continue to work and work on things that I like and think are good.
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
I had this perfect situation where my studio was a three-minute walk away, and every day I would go to the studio. If I had an idea, I could work on it at the highest level possible.
I gravitate towards the utopian potentials of digital space (post race, post gender, post human etc.), but understand that people live in real bodies that experience real consequences based on how they are gendered, sexed, raced and classed.
I'm just having fun. I go in the studio, and I have no idea what I'm going to do, what I'm going to make. I'm going to make whatever I feel like making.
Actually, zero labels were jumping toward me, and I couldn't get to anybody. Nobody was paying any attention. And I was like, 'OK, I'm going to put my nose to the ground and really work on writing and creating some good songs that people could gravitate to.'
Can you imagine getting a gun for a secret Santa? That is especially not a good idea if you work in a post office.
I really challenge every actor at the beginning of a process, and I always say, 'I have an idea that I'm going to bring to the table. I hope and expect that you will have an idea and bring it to the table. But the way I really want to work is that together we're going to have a third idea that is better than either of our ideas.'
I think when you're a bigger star you get many good scripts sent to you, and you have to choose which one you're going to gravitate toward, but I just try to gravitate toward the best-written one that's been thrown my way after a lot of girls have passed on it.
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