A Quote by Frank Frazetta
I hope my work has inspired young artists. I have always tried to maintain my freedom as an artist and I feel it is one of the main reasons I have been successful.
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People who aren't artists often feel that artists are inspired. But if you work at your art you don't have time to be inspired.
I was being an artist, being sensitive and technical as artists are. I'm sure Leonardo Da Vinci did that. Artists don't always feel the same as others feel about their work.
I've always tried to - when I've been able to - support young artists, no matter what medium.
For me going solo meant freedom to collaborate and do whatever I feel I'm good at doing. For me it was really not ever expanding as an artist, developing everything from my songwriting to my singing to my mission statement to my vision. I've been so inspired by all the creative freedom that it brings that I have no complaints.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
A lot of artists still will not get that far. And get that far and be as successful. So, it's a great thing for me, and hopefully I can make it to number 10. And then I would want to start managing other artists, 'cause I think the best manager is an artist, his, or herself, that has been in the business and been successful and knows the ins and outs of the business.
Success for an artist is completed work. Very successful artists complete a lot of work. It's that simple.
I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.
I've definitely become more commercially successful. I think everything has changed over the past two years. People seem to take me seriously now as a songwriter for other artists and as an artist, which is funny to me because I always thought I was good. I guess that's the main change, which is pretty interesting.
I always say this to the young chefs and mean it: The customer is excited, he says you are an artist, but we are not, just craftspeople with a little talent. If the chef is an artist, he doesn’t succeed. Why? Because he is inspired today but not tomorrow. We cannot do that.
I feel like, paying homage to an artist, it's better to do something that's inspired by them - a new work that's inspired by them - versus another person saying they redid your song.
My art and my self-expression in any form has always been an attempt towards sincerity, honesty, and empathy for others. For a multitude of reasons both professional and personal I no longer feel that this is possible within [Crystal Castles]. Although this is the end of the band, I hope my fans will embrace me as a solo artist in the same way they have embraced Crystal Castles.
This has always been my plan and my vision, to build a strong team and build artists like Glock. I always knew I could do it with artists, because I saw what I did for myself as an artist.
Whatever knuckle ball I have bowled, I wanted batsmen to go after that. That way, you can get wickets, and that's one of the main reasons why I have been successful in power plays.
I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it.'
I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it'.
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