A Quote by Frank Gambale

I don't play for the guitarists in the audience.  I play for the musicians. — © Frank Gambale
I don't play for the guitarists in the audience. I play for the musicians.
I always wrote for musicians, especially guitarists. I write songs that people who aren't great virtuosos can play.
I like to play with people who can play simple and are not threatened by other musicians thinking they can't play. And that eliminates 99 percent of the musicians.
All the great guitarists have a spirit-a way they play and don't play.
A good play is a play which when acted upon the boards make an audience interested and pleased. A play that fails in this is a bad play.
I could sing and play as well. I've got some brothers; one of them is the drummer in the band. They're good musicians. I play for fun. They play properly. Music in general, I grew up in a house of musicians. Everybody's life has a soundtrack, I'm sitting here talking to you but there are horns beeping outside. I know I'm in New York. That's an element in the film as well. How strong that sense can be.
I think the musicians I play with solo do a certain thing that the musicians we play with with the Indigo Girls don't do. It's just a different thing. And it sort of steers my writing in some ways.
I never like to play for myself, and that is why I don't own a grand piano. To play for yourself is like looking at yourself in a mirror. I like to practice; that is to work at a task. But to play there must be an audience. New things happen when you play for an audience. You don't know what will occur. You make discoveries with the music, and it is always the first time. It is an exchange, a communion.
Musicians play music because you love... I loved to play drums since I was five. It's all I ever wanted to do. Rock stars, or as we call them, posers, guys who want to just look great, dress great. They're not musicians; they're looking for the fame.
The only one I can play like is Johnny Ramone. I would love to be able to play like other great guitarists, but my mind doesn't work like that.
Bourbon Street is like playing, a tourist, you know? It's just a tourist attraction ... those musicians on Bourbon Street, they play all day. They might start at 12 noon and end at 3 in the morning, like, it's like sets, like a job. You go play, take a break, play again, take a break, then later on that night, the club gets busier, then you play some more. There's pride. They're a group of great musicians- and they're holding it down.
My parents are both musicians and made sure we all played music. My brothers and sisters all play instruments, so we'll get together whenever we can and play. We play a lot of classical music - you know, the good stuff.
In chamber music, the audience can hear each instrument and understand (and feel) what the composer and the musicians have in mind as they play.
The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.
I find it hard to work with other musicians because I know from experience that when they play, they play with their feeling, and that restricts me because I know I want to play in my own particular way.
I just love to play and I get a chance to play with other musicians and I jump on it.
We are not really skilled musicians. I mean, I can play a little bit of guitar. Thomas can play piano.
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