A Quote by Frank Gehry

I like the idea of collaboration - it pushes you. It's a richer experience. — © Frank Gehry
I like the idea of collaboration - it pushes you. It's a richer experience.
What I love about new technology is that it really pushes the art. It really pushes it in a way that you can't imagine until you come up with the idea. It's idea-based. You can do anything.
A good collaboration pushes the boundaries of both partners.
What happens is that the experience of writers working together and the idea of creative collaboration is so delightful, but it has been relegated to TV.
All great inventions emerge from a long sequence of small sparks; the first idea often isn’t all that good, but thanks to collaboration it later sparks another idea, or it’s reinterpreted in an unexpected way. Collaboration brings small sparks together to generate breakthrough innovation.
The subject is missing from 'Replica' - it's about malleability of materials, and working with metaphor, and sculpting in time. So that makes a collaboration with another person who pushes sound in a sculptural way appealing, because you're like, 'Let's see what dimensionality is introduced from this other perspective that I might not have.'
The nature of design is to synthesize disparate perspectives and create a richer end product through collaboration and iteration.
We got spoiled with 'Friday Night Lights.' Not every show is like that, and on other shows, if you try to bring that same truth or that same approach, the system of television doesn't always allow for that level of collaboration, which is unfortunate because the work would be richer.
I'm super hard on myself anytime I think of an idea for a collaboration. I will rack my brain trying to think of one. I wait for the right person. It stresses me to think that I'd do a collaboration with someone and not make it the best possible opportunity.
Some directors are like it's their... nothing can change, nothing can move. I like collaborating, even when an extra has an idea, I like to bring to really have collaboration.
The idea of the gay experience, it feels like a relic. I felt like in the '90s when we were watching the gay characters on 'The Real World,' there was definitely a gay experience that was distinct from a straight experience. If you talk to high schoolers in 2017, I don't know that is as much a part of how they experience a social dynamic.
You can't really take a vinyl record player on a plane so you're not going to have the same experience, but if you walk yourself away and allow yourself to experience these different moments with music, you're so much richer in experience for that. That's what I believe.
In the documentary space, the biggest and most obvious difference is that in those films you're not in it for a financial gain. It's a piece of collaboration and artistic expression, that pushes change and self expression, in the sense that everyone has a story.
The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience.
To make a collaboration succeed there can be no visible contusions or abrasions. For the collaboration to succeed, the relationship must be nourished and survive. That is absolutely essential for a collaboration to succeed.
What we experience in dreams - assuming that we experience it often - belongs in the end just as much to the over-all economy of our soul as anything experienced "actually": we are richer or poorer on account of it.
I love the idea of creative collaboration. I love the idea of exploring marriages, particularly ones that are in process for a long time.
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