A Quote by Frank Gehry

People ask me if I'm an artist or an architect. But I think they're the same. — © Frank Gehry
People ask me if I'm an artist or an architect. But I think they're the same.
People often ask me if I consider myself to be an architect, fashion designer, or artist. I'm an architect. The paintings I've done are very important to me, but they were part of a process of thinking and developing.
People ask me what I'm writing. They think I'm Sandra Tsing Loh. Or they ask about stand-up. 'No, that's Margaret Cho.' I really think there is this kind of glomming, that they think we are somehow all the same person.
I feel like if you ask people, certain people will say that I'm a top receiver. But if you ask people to name their top receivers, they won't mention me. So that's where the disrespect is coming from. I don't think they say, 'Davante Adams sucks.' But they think that top five, they put the same celebrities in there every time.
My father is an architect, so I often think like a designer or an architect. I remember when I was admiring buildings, I would look up at them and see this perspective and this awesome power of the monument in front of me.
People ask me all the time, ALL the time, they say the same exact thing. They say, 'Bo, you're an artist... how do we fix Africa?'
People will laugh at me, but when they ask me to make a wish for the next life, I will say I want the same parents, same brother and sister, same wife, same friends.
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
People used to ask me for advice, and I'd say, 'Please, don't ask me!' Yes, I did economics at Oxford, but that's not the same as having a broad knowledge of personal finance
People used to ask me for advice, and I'd say, 'Please, don't ask me!' Yes, I did economics at Oxford, but that's not the same as having a broad knowledge of personal finance.
The funny thing is, when I ask people with dark skin if they would change their color, they tell me no, and when I ask women if they would rather be men, they tell me no, and I get the same response when I ask people with unusual anatomies if they would take a magic pill to erase their unusual features.
Whenever I go out, so many people who respect me ask me what to do in a certain situation. A lot of times, I didn't know the answers because sometimes I was going through the same sort of thing. But then later on, I would think of things that people told me.
I think the role of the artist today is about being provocative. I don't mean shocking, but you have to provoke people into action. As an artist, you ask people for their time. It's the most precious thing anyone has. I'm asking audiences to come to my work and spend some time with it. What I'm really doing, of course, is asking people to take time for themselves.
The romantic artist expects people to ask, 'What has he got to say?' The classical artist expects them to ask, 'How does he say it?
Sometimes people ask me, 'You do stand-up?' I try explaining what I do, and I don't think they really get it. So: 'Yeah, I do stand-up.' I wish there was one word to express what I do - that way, I don't sound arrogant. Whenever I say I'm a performer, people think I'm a performance artist: 'She paints herself white and pretends to be a flower.'
I'd never known of an architect as a young man. I think there was only one architect in Tucuman.
I used to not like being called a 'woman architect.' I'm an architect, not just a woman architect. The guys used to tap me on the head and say 'you're OK for a girl.' But I see an incredible amount of need from other women for reassurance that it can be done, so I don't mind anymore.
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