A Quote by Frank Gehry

One of my unsung heroes is Erich Mendelsohn. I met him when I was a student and he was a cranky old man and very unpleasant. But if you go to his Einstein Tower in Potsdam, Germany you see an enormous intellect at work with a language that was personal and new. It has a sense of urban design and of theater and procession I hadn't seen before.
Chris was a friend of mine, I loved him. I didn't see him for 18 months before he died, but I'd met him several times after the accident. What was remarkable was his personal growth in his interior life.
I was blessed enough to meet Pope John Paul when I was about 19 or 20 years old in the Vatican; I had that privilege, .. My mother took me to visit him and I remember distinctly his incredible charisma and personal charm and his warmth and compassion. You felt it immediately the minute you met him, and that spirit I came away with, having met the man, is something that I've been constantly working on to infuse the character with, so that we can have his spirit and his love and his compassion, because that's really the essence of the man.
We need to build a beautiful granite and bronze monument in our nation's capital to honor American heroes, unsung American heroes. And those unsung American heroes are the rich.
We who have seen him now, light on his feet, smooth moving as a leopard, a young man with an old man's science, the most beautiful fighting machine I have ever seen, may live to see him fat, slow, old, and bald taking a beating from a younger man. But I would like to hazard a prediction that whoever beats Joe Louis in an honest fight in the next fifteen years will have to get up the floor to do it.
Before I met Bad Bunny, I had this image of him from his lyrics and songs, and I met a very cultured and nice man that I could have deep conversations with.
I arrived in Tokyo in around '81. Around that time, I visited London for about two months - it was the period just before Malcolm McLaren released his solo album Duck Rock. I'd met him when he came to Japan, so I visited him in London and spent one evening with him and his girlfriend over at his house. He told me, "London is boring right now. You should go to New York." So he called a friend in New York, who I think was an old assistant or someone who helped him record early hip-hop stuff over there.
That was the principle of reparations to which President Truman agreed at Potsdam. And the United States will not agree to the taking from Germany of greater reparations than was provided by the Potsdam Agreement.
And his eyes frighten me, too. They're the eyes of an old man, an old man who's seen so much in life that he no longer cares to go on living. They're not even desperate... just quiet and expectant, and very, very lonely, as if he were quite alone of his own free choice.
Man is a willful and covetous animal, who makes use of his intellect to satisfy his inclinations, but who cares nothing for truth, who rebels against personal discipline, who hates disinterested thought and the idea of self-education. Wisdom offends him, because it rouses in him disturbance and confusion, and because he will not see himself as he is.
Erich Mendelsohn's drawings are expressive and beautiful. If he'd had the computers we have now, everything I've done he would have done before me. I would have had to figure out something else.
I do quite like Gehry's Guggenheim. But where in Bilbao it's seen as an outgrowth of years of investment in urban design and engineering, in Britain it's seen as the catalyst for urban regeneration rather than the icing on the cake.
We met Ben Mendelsohn, who had acted with Ryan Gosling in 'A Place Beyond the Pines,' and that's the first place where we'd seen him. And we're embarrassed to say that we didn't know that he was a famous Australian actor at the time that we saw it.
I've always seen first responders as unsung heroes and very special people because, when everyone else is running away from danger, they run into it.
The problem with the Jude Law "Hamlet" was simply that it wasn't unpredictable, that it was a very down-the-center modern production. You wouldn't go to the theater expecting to see an old-fashioned "Hamlet" where everybody wears an old fashioned costume. You don't get points for putting on a "Hamlet" where everybody dresses in black. I've seen that one several times. But again, it's not that it has to be new, it simply that it has to be different, fresh, that it doesn't bore, that it doesn't make me - I don't feel as I'm watching it that I know where it's going to go.
My father died right after the movie Rain Man was released. He got to see it, then literally the day before he died, he asked Mama to take him to see it one more time - because he knew he was declining. Tom's assistant at the time told him my father died, and he wrote me a very personal note. I haven't seen him since, but you can't say anything bad about Tom Cruise to me, because anybody who takes the time to do that is very special.
But all this language gotten, and augmented by Adam and his posterity, was again lost at the tower of Babel , when by the hand of God, every man was stricken for his rebellion, with an oblivion of his former language.
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