A Quote by Frank Gehry

You see a lot of so-called architecture that part of the ego trip overpowers the functionality and the budget and all that stuff. — © Frank Gehry
You see a lot of so-called architecture that part of the ego trip overpowers the functionality and the budget and all that stuff.
We literally see things so differently, all the architecture and stuff. That's the cool part about skateboarding. We're out there skating stuff that's not meant to be skated.
All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'
Ambition is to be the fastest runner on this planet, to be the first on the South Pole, which is a grotesque perversion of ambition. It's an ego trip, and I'm not on an ego trip. I don't have ambitions - I have a vision.
How do you tell a story that you're a part of without it being a big ego trip?
The biggest ego trip is getting rid of your ego, and of course the joke of it all is that your ego does not exist.
The only real benefit of being famous is being recognized by head waiters and getting good tables at restaurants. The rest is part ego trip and part inconvenience.
You'll see a lot of funny stuff, you'll see a lot of daddy knows best stuff, you'll see a lot of me and my wife trying to hold the family together.
Every match should have a story in it and I see a lot of that lacking. I see a lot of guys doing a lot of good stuff, and I call it stuff, filling in the blanks in their match, but the stuff doesn't tie in.
We have to change from 'ego-architecture' to 'eco-architecture.'
My husband John's and my breaks are often very culture heavy. He cannot pass a museum without venturing inside, so we tend to see a lot of architecture and so-called places of interest.
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity-architecture of democracy.
Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Look, architecture has a lot of places to hide behind, a lot of excuses. 'The client made me do this.' 'The city made me do this.' 'Oh, the budget.' I don't believe that anymore.
When we come to understand architecture as the essential nature of all harmonious structure we will see that it is the architecture of music that inspired Bach and Beethoven, the architecture of painting that is inspiring Picasso as it inspired Velasquez, that it is the architecture of life itself that is the inspiration of the great poets and philosophers.
It's not so much about form versus functionality. Rather, it's about doing both and doing them a lot and doing them well-and that's how we should be talking about architecture.
Part of ego is displaying the ego. I've got ego, and I think I'm really good. But maybe I fall down in trying to sell it to people.
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