A Quote by Frank Gehry
Picasso could use everyone's paintings and transform them into his own. He was using ideas from all of his contemporaries.
Related Quotes
Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
Everyone sits in the prison of his own ideas; he must burst it open, and that in his youth, and so try to test his ideas on reality.
I counterfeited Mark Kostabi's artworks. During the eighties, Mark didn't paint his own paintings. Instead, he had other artists painting them, and he just added his signature. So what I did was to use some of the same painters, and signed his name myself.
God is with us to be utilised. His Power, His Love, His Thought, His Presence, must be at our disposal, like other great forces, such as sunshine and wind and rain. We can use them or not, as we please. That we could use them to their full potentiality is, of course, not to be thought of; but we can use them in proportion to our ability.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
Look at the paintings of Picasso. He is a great painter, but just a subjective artist. Looking at his paintings, you will start feeling sick, dizzy, something going berserk in your mind. You cannot go on looking at Picasso's painting long enough. You would like to get away, because the painting has not come from a silent being. It has come from a chaos. It is a by product of a nightmare. But ninety-nine percent art belongs to that category.
At one point, for example, [Donald Trump] argued that he knew much more than military leaders about the pursuit and defeat of ISIS. His assuredness of his own correctness seems also rooted in arrogance reflecting his fundamental insecurity. This insecurity and his belief in his own rightness, when combined with his success at making money, leads him to be self-reliant in his decision-making, which could result in his taking risks with threatening or using nuclear weapons.
Once, Picasso was asked what his paintings meant. He said, “Do you ever know what the birds are singing? You don’t. But you listen to them anyway.” So, sometimes with art, it is important just to look.
Now, Richard Pryor was unique. Many misunderstood his humor. He lit up the hallway, but they didn't understand his use of profanity. He didn't use it just to be using it; he used it in the context of his satire.
Faced with a world of "modern ideas" which would like to banish everyone into a corner and a "specialty," a philosopher, if there could be a philosopher these days, would be compelled to establish the greatness of mankind, the idea of "greatness," on the basis of his own particular extensive range and multiplicity, his own totality in the midst of diversity.
What a singular destiny has been that of this remarkable man!-To be regarded in his own age as a classic, and in ours as a companion! To receive from his contemporaries that full homage which men of genius have in general received only from posterity; to be more intimately known to posterity than other men are known to their contemporaries!
I'm a joker who has understood his epoch and has extracted all he possibly could from the stupidity, greed and vanity of his contemporaries.
The last end of every maker, as such, is himself, for what we make we use for our own sake; and if at any time a man make a thing for the sake of something else, it is referred to his own good, whether his use, his pleasure, or his virtue.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
Donald Trump, yes, he's somebody's little boy. But he is his ideas because his ideas are what's going to affect us. As a man, he can do very little. But his ideas could kill us all.
If an artist may say nothing except what he has invented by his own sole efforts, it stands to reason he will be poor in ideas. If he could take what he wants wherever he could find it, as Euripides and Dante and Michelangelo and Shakespeare and Bach were free, his larder would always be full, and his cookery might be worth tasting.
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