A Quote by Frank Gehry

I attended a lecture by a gray-haired old man from Finland, who later I discovered was the architect Alvar Aalto. I was very moved. I wasn't interested in architecture, but it was a moving thing I've never forgotten.
We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.
I started to begin to be interested in architecture and design when I was 14 years old, which was pretty early in life. And then I would start to look at architectural magazines and I eventually went to the school of architecture too, but one of the things I learned very early is that an architect should be able to design anything from a spoon to the city.
For me [ Giovanni Lorenzo ] Bernini, [Francesco ] Borromini, and [Donato] Bramante have been as significant as Alvar Aalto, Frank Lloyd Wright, Le Corbusier, and Louis Kahn. I still marvel at their works, which have a quality and a timelessness that I seek to have in our projects.
I was watching 'Up In The Air' and I thought, 'Jesus, who's the old gray-haired guy?' And it was me. I never wear makeup for movies and now it's starting to show.
...they discovered only a small asteroid inhabited by a solitary old man who claimed repeatedly that nothing was true, though he was later discovered to be lying.
I saw a gray-haired man a figure of hale age, sitting at a desk and writing.
I initially thought I would be an architect, maybe. So I went to architecture camp and quickly learned that I did not want to be an architect. I was like, 'No. This is not for me.'
The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
I'd never known of an architect as a young man. I think there was only one architect in Tucuman.
I've never had a problem with the old truism about dancing to architecture. I think you can dance to architecture. There's some pretty funky architecture to dance to.
Britain gets the architecture it deserves. We don’t value architecture, we don’t take it seriously, we don’t want to pay for it and the architect isn’t trusted.
What each school offers is something unique. But, there are two types of activity an architect must be educated on. First, the architect needs concentrated activities to learn the guidelines, and that is what school is for. But, second, is the public aspect of education. The architect needs to see architecture in the streets to learn.
We all go to our grave thinking that we will never be forgotten, and we are forgotten ten minutes later.
Shaming and blaming your kid isn't going to make them change. You can't change yourself. Would I love to be tall and blonde? Yes, but that's not going to happen. I'm always going to be short and dark-haired, maybe gray-haired now.
For me, I think the most exciting thing in architecture is the re-emergence of the locally-focused architect.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
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