A Quote by Frank Gehry
Bilbao opened in 1997. It was only ten years later that I was asked to do another museum. A lot of other people got work because of Bilbao.
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The Guggenheim Museum Bilbao looks like a great adventure.
I was happy to play for Athletic Bilbao, another club that is dear to me, and for Manchester United, the biggest club in the United Kingdom, where I felt loved.
Against expectations I was charmed by Gehry's Edgemar development, which housed the Santa Monica Museum of Art, and positively awed by the Bilbao Guggenheim. That Gehry is a great artist I have no doubt, but talent and determination are no warrant against confusion, nor are they a guaranty to produce great art.
When I was playing for Real Zaragoza, I had the responsibility that I was playing for the club that I support and that I love. When I was playing for Athletic Bilbao, I was feeling the responsibility to play for the most special philosophy in the world, which is only playing Basque people.
I'm here now playing for Chelsea. I chose to leave my home at Athletic Bilbao, and it was an important step in my career.
I do quite like Gehry's Guggenheim. But where in Bilbao it's seen as an outgrowth of years of investment in urban design and engineering, in Britain it's seen as the catalyst for urban regeneration rather than the icing on the cake.
When I was 11, I went to a sports school about an hour from home and stayed there during the week, only going home at weekends. That was hard, but it prepared me before I left for Bilbao; it made me stronger.
I was at an autograph show, and there were a lot of people from TNA there doing meet and greets. One of the girls from TNA there asked me why I hadn't joined yet and I said I'd tried and it didn't work out. She asked me to give her a video and pictures, and a few days later I got asked to do a tryout.
I think people care. If not, why do so many people spend money going on vacations to see architecture? They go to the Parthenon, to Chartres, to the Sydney Opera House. They go to Bilbao... Something compels them, and yet we live surrounded by everything but great architecture.
I walked all around it [the Guggenheim Bilbao] and couldn't find one clear, clean shot. To make things worse, the weather was lousy. Nothing about this rang commercial money shot. In a situation like this there's only one thing to do: forget about pleasing editors, please yourself.
I was just trying to coach and that was the only thing I knew. Coach the team. I think for me, ten years later and a lot of life experiences later, I'm more aware of the partnership that has to take place.
My style of play has always been 'Guardiola style,' so I've not had too many problems. At the same time, he helps you to evolve and to change little things, because it's obviously not exactly the same style of play as at Bilbao.
In fact when Sweet Honey was ten years old it was too big for me to run, and I knew it, but I ran it for another thirteen years because I couldn't convince other people to really do it. And this year, I'm not running it.
I understand the feelings of critics asked to come up with the ten best films of any year, who say, Ten? Ten's a lot! - and those more generous spirits whose thumbs grow as long as Pinocchio's nose from overrating a lot of pictures, because they want the medium to do well, and because they'd like to feel good about it.
I got a PhD from Harvard and a few years later, there was a girl from Sunderland who hadn't got into Oxford or Cambridge, even though she'd got perfect A-levels. Harvard asked me to come and recruit her because I was recruited out of university by Harvard - they were trying to show that people could make it.
I graduated college in 1992 and didn't reach a sizable audience with my column for nine solid years. If I had started ten years later, or ten years sooner, everything could have happened sooner, obviously. But if I had started fifteen years later? I don't know.
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