A Quote by Frank Horvat
...photography is made essentially of time. I often think that what we show is a point in time, more than a window onto space.
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To speak technically photography is the art of writing with light. But if I want to think about it more philosophically, I can say that photography is the art of writing with time. When you capture an image you capture not only a piece of space, you also capture a piece of time. So you have this piece of specific time in your square or rectangle. In that sense I find that photography has more to do with time than with light.
Photography is more than a window for me. Photography is more like a space that tries to capture situations.
The magazine business is dying. It's a hard time for publishing. It does seem that everyone is much more opinionated now. I think there's probably more room for making opinionated illustrations. There was a time when Time magazine and Newsweek would have a realistic painted cover. A friend of mine used to do a lot of those paintings and he was told by the art director at one point, we are switching to photography. It seems that if someone saw a painting on a cover, it took a while to do, it must be old news. Photography became more immediate.
What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.
I think often people fall into the breadth trap of wanting to do too long a period of time, and obviously there's this sort of algorithm of how much depth you can put into something times how much of their life you're trying to show. My attitude has always been, I'd rather show a briefer period of time in more detail than a longer period of time in less detail.
I often say I've spent more time with photography than I have with literature just in terms of hours.
Allowing another to be as they are is more what I think of as "space." The space to express yourself and know that you're going to be accepted. That's more where I go than with the actual physical logistics of how much time you have together and how much time you have apart.
We all know of people who thought they could to it (whatever “it” is) tomorrow. We have all procrastinated on such a way, and often to our personal regret. It happens time and again, putting off things that we convince ourselves might be better, more meaningful, more appropriate for another time. So often that better time either never comes or really isn’t better or more appropriate after all. And then, sadly, the window of opportunity -to do something great- closes.
Time, matter, space - all, it may be, are no more than a point.
The decisive moment, the popular Henri Cartier-Bresson approach to photography in which a scene is stopped and depicted at a certain point of high visual drama, is now possible to achieve at any time. One's photographs, years later, may be retroactively rephotographed by repositioning the photographer or the subject of the photograph, or by adding elements that were never there before but now are made to exist concurrently in a newly elastic sense of space and time.
Prison is essentially a shortage of space made up for by a surplus of time; to an inmate, both are palpable.
And I think that at a certain point, after all the time and all the conjecture and everything that had kind of gone on surrounding this show, I think that Mitch just felt like it was time to let it go. It was best for the show.
Traditionally, photography has dealt with recording the world as it is found. Before photography appeared the fine artists of the time, the painters and sculptors, concerned themselves with rendering reality with as much likeness as their skill enabled. Photography, however, made artistic reality much more available, more quickly and on a much broader scale.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
I think it does because if you think of where "The Daily Show" was when I inherited it from Jon Stewart, I was in a space where, essentially, everything seemed like it was on track, you know, in terms of - from a progressive point of view, you know, you're looking at Republicans who, yes, were in control of many facets of government.
I am in the Aleph, the point at which everything is in the same place at the same time. I'm at a window, looking out at the world and its secret places, poetry lost in time and words left hanging in space...sentences that are perfectly understood, even when left unspoken. Feelings that simultaneously exalt and suffocate.
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