A Quote by Frank Iero
Every time I felt the pain coming on I'd go downstairs and hammer out an idea. After a few months I started to take a look at what I was making, I had for the first time in my life written a large grip of songs completely alone and without any expectations or plans of what they would be for.
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I didn't have any plans to act, as I thought I would take up a job behind the camera. But, life had its own plans for me. In fact, every time I plan things, they never happen.
I felt like I had to be conscious of myself as a girl for the first time. I had to be more feminine. I had to look a certain way. And it's something that you want to suffer in silence, but I would go onto movie sets and they would bring out bras that were basically binders, because there were continuity problems between months.
Albom with Trent Willmon is the first project that I haven't had to scrap money together for. The is the first time I've used any outside songs at all; until now it's only been stuff that I've written. This is also the first album of mine that's had any co-writes on it, as well. It's a big step, coming off of anything we've ever done before.
For two months after Christmas vacation we limped around campus with muscles too tigh and sore to walk properly, yet we had no good idea of our goal. Without knowing what a real race was like, I couldn't judge whether it was worth all the preparation, but having put in so much time already, how could we back out? Quite a few Freshman did manage to back out. After Christmas several, when freed from faily practice, decided that they liked not feeling tired all the time. Most of them vanished without a word.
"Benghazi happened a long time ago. We are unaware of any agency blocking an employee who would like to appear before Congress to provide information related to Benghazi." This is the modus operandi of the regime - any Democrat regime, actually. You stonewall it for a few months, and then after a few months go by you say, "It's an old story." Didn't Watergate happen a long time ago? It still seems to be really relevant, Watergate.
I don't think I have written a poem when I was completely sober. But I have written a few good ones or a few bad ones under the hammer of a black hangover when I didn't know whether another drink or a blade would be the best thing.
When we hit a nail with a hammer, the whole of the shock received by the large head of the nail passes into the point without any of it being lost, although it is only a point. If the hammer and the head of the nail were infinitely big it would be just the same. The point of the nail would transmit this infinite shock at the point to which it was applied. Extreme affliction, which means physical pain, distress of soul and social degradation, all at the same time, constitutes the nail. The point is applied at the very center of the soul, whose head is all necessity, spreading throughout space and time.
I think about quitting all the time. I'll take such a little thing and be like, "I quit! I've had enough of you people!" And then...I don't know, it gets better. I'm not really good at making plans so I don't have any definite plans for the future. I would love to have a family and kids at some point.
I nursed Mason for 14 months and Penelope for 16, and I loved it. It was built-in time that the two of us could share alone every day. I didn't have any goals or expectations.
With songs, it doesn't matter what song it is; every time I go out and perform it, it's like the first time I'm performing it, the first time I wrote it. If it's not, then I'm not going to do it that night.
When I first started learning how to take photographs, you had to spend the first six months figuring out what an f-stop was. Now you just go and take pictures.
I started playing guitar when I was 13. I'd written a few songs on the guitar over some time. I'd written a book of poetry, and I got a book of lyrics that I had when I was a kid.
Not only do I look at the playback with the actors, but I look at the on-set assembly footage with the sequences with my actors as well. These are the reasons why I take twice as much time to shoot a film in Korea. Thinking back, I remember on my first ever Korean film, I never used any playback or on-set assembly, so all I had to do was to tell myself it's just like making my first ever Korean-language film. After that, I felt right at home.
Westley closed his eyes. There was pain coming and he had to be ready for it. He had to prepare his brain, he had to get his mind controlled and safe from their efforts, so that they could not break him. He would not let them break him. He would hold together against anything and all. If only they gave him sufficient time to make ready, he knew he could defeat pain. It turned out they gave him sufficient time (it was months before the Machine was ready). But they broke him anyway.
And I don't regret the rain
Or the nights I felt the pain
Or the tears I had to cry
Some of those times along the way.
Every road I had to take,
Every time my heart would break,
It was just something that I had to get through,
To get me to you.
I hardly knew anything when I first arrived. I had to learn how to act as I went along. After about a year I got a grip on what acting was all about and it started coming straight from my heart; I wasn't just saying the words any longer.
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