A Quote by Frank Langella

It's interesting to fantasize having a man sink his teeth into your neck for sustenance, knowing that it isn't going to be terribly painful but rather very exciting. — © Frank Langella
It's interesting to fantasize having a man sink his teeth into your neck for sustenance, knowing that it isn't going to be terribly painful but rather very exciting.
It's interesting to fantasize having a man sink his teeth into your neck for sustenance, knowing that it isn't going to be terribly painful but rather very exciting
If you are going to do something potentially for another eight years, you want it to be something that you can really sink your teeth in and that's going to be different and interesting for this next period of time.
Well I just figure any man who risks his neck to save a dog's life isn't going to kill someone for gold teeth.
Whatever the best scripts are and you just want to play roles that you can really sink your teeth into. That's always the goal no matter if it's a good guy or a bad guy, or a comedy, or a drama. It doesn't matter, you just want something that's substantial you can sink your teeth into and that you haven't done before, something that's really going to challenge you.
I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peeta’s eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock. “Let me go!” I snarl at him, trying to wrest my arm from his grasp. “I can’t,” he says.
I'm going out with these old guys. One guy gave me a hickey and left his teeth in my neck. Another man, we were having a perfectly lovely dinner; he looked up and me and went: You're not my wife! Another guy died during dinner. I had to go in his pocket to get the American Express card. Then you wonder: What would he tip? Another guy said: I want you to meet my family, and took me to the cemetery.
My goal from the very beginning was to make very visually lush, juicy films that you can really sink your teeth into. That's always been part of my modus operandi.
I was making choices that were very specific: Make a living, take care of your family, and if you can, find some movies that you can sink your teeth into.
A lot of my stories about the old days, they're delicious and funny. But every time I recall the early days, it's painful. With every anecdote, it's painful because you're summoning up the terribly, terribly difficult life of my parents. And it's painful because I didn't realize at the time how hard it was for them.
Ivan Lendl is a robot, a solitary, mechanical man who lives with his dogs behind towering walls at his estate in Connecticut. A man who so badly wants to have a more human image that he's having surgery to remove the bolts from his neck.
It's a very rich brew that's in your psyche by the time you're in your 60s, and I think that's rather interesting. It makes you feel you've lived a very long life; it's like going on holiday to three different cities rather than spending two weeks in Lisbon. You look back on the holiday, and you seem to have been away forever.
It was very satisfying knowing I could come in not really knowing what I was going to do, and at the end of the session feeling that I'd really done interesting guitar work and knowing that I'd really contributed to the music.
I have a strong feeling about interesting people in space exploration. . . . And the only way it's going to happen is to have some kid fantasize about getting his ray gun, jumping into his spaceship, and flying into outer space.
This is what youth must figure out: Girls, love, and living. The having, the not having, The spending and giving, And the meloncholy time of not knowing. This is what age must learn about: The ABC of dying. The going, yet not going, The loving and leaving, And the unbearable knowing and knowing
I think anybody who's willing to really sink their teeth into a work like the Hammerklavier, which is a very interesting, different experience, should look instead at something like the Sonata by Paul Dukas, which, in my opinion, is a real marvel.
I am terribly British. Especially in the eyes of Americans. I drink several gallons of tea a day, I'm often excessively polite and it's only through many years of expensive and painful dental work that I don't have bad teeth.
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