A Quote by Frank Lentricchia
Our personal past is only available to us now through black-and-white film, it's a medium for communication with the dead, including our dead selves, the way we used to be, which is why we're drawn to it.
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Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.
Memory is not an instrument for exploring the past but its theatre. It is the medium of past experience, as the ground is the medium in which dead cities lie interred.
Communication with God is vital to a vibrant relationship with him. We will never really know God in an intimate, personal relationship if we don't talk to him. Half of our communication with God is listening to what he has to say through his Word, which is why reading our Bibles is so important. The other half of communication is talking to him, which is prayer. Prayer is also important because the Bible commands us to pray.
Who knows if to live is to be dead, and to be dead, to live? And we really, it may be, are dead; in fact I once heard sages say that we are now dead, and the body is our tomb.
Richard exhaled. It was like somebody sprinkling pepper on his wound: Thousands of Biafrans were dead, and this man wanted to know if there was anything new about one dead white man. Richard would write about this, the rule of Western journalism: One hundred dead black people equal to one dead white person.
Language has unmistakably made plain that memory is not an instrument for exploring the past but its theater. It is the medium of past experience, just as the earth is the medium in which dead cities lie buried.
We hold reunions, not for the dead, for there is nothing in all the earth that you and I can do for the dead. They are past our help and past our praise. We can add to them no glory, we can give to them no immortality. They do not need us, but forever and forever more we need them.
Our dead are never dead to us until we have forgotten them: they can be injured by us, they can be wounded; they know all our penitence, all our aching sense that their place is empty, all the kisses we bestow on the smallest relic of their presence.
I think we never become really and genuinely our entire and honest selves until we are dead--and not then until we have been dead years and years. People ought to start dead, and they would be honest so much earlier.
Whoo-hoo-hoo, look who knows so much. It just so happens that your friend here is only MOSTLY dead. There's a big difference between mostly dead and all dead. Mostly dead is slightly alive. With all dead, well, with all dead there's usually only one thing you can do. Go through his clothes and look for loose change.
Our personal afflictions involve the living God; the only way in which Satan can persecute or afflict God is through attacking the people of God. The only way we can have personal victory in the midst of these flying arrows raining down on us is to call upon the Lord for help. It is His strength, supplied to us in our weakness, that makes victory after victory possible.
The teachings of Elijah Muhammad on how black people have been brainwashed.How they've been taught to love white and hate black, how we've been robbed of our names in slavery.We were robbed of our culture, we were robbed of our true history. So it left us a walking dead man.
Cryptocurrencies in general give us a stable medium through which we can communicate our information about values and prices in a way that no government mandarin can distort or usurp. For the predators who have used our central institutions to predate on the rest of humanity, it's a very bad development.
That the past is ahead, in front of us, is a conception of time that helps us retain our memories and to be aware of its presents. What is behind us [the future] cannot be seen and is liable to be forgotten readily. What is ahead of us [the past] cannot be forgotten so readily or ignored, for it is in front of our minds' eyes, always reminding us of its presence. The past is alive in us, so in more than a metaphorical sense the dead are alive - we are our history.
But the point is, now, at this moment, or any moment, we're only cross-sections of our real selves. What we really are is the whole stretch of ourselves, all our time, and when we come to the end of this life, all those selves, all our time, will be us - the real you, the real me. And then perhaps we'll find ourselves in another time, which is only another kind of dream.
Obviously, the Night's King is clearly a symbol of something very unpleasant in our psyche, and he even raises wights from the dead, which is probably everybody's worst fear, being actually used after we're dead.
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