A Quote by Frank Lloyd Wright
If you would see how interwoven it is in the warp and woof of civilization ... go at night-fall to the top of one of the down-town steel giants and you may see how in the image of material man, at once his glory and his menace, is this thing we call a city.
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How many there are who still say, 'I want to see His shape, His image, His clothing, His sandals.' Behold, you do see Him, you touch Him, you eat Him! You want to see His clothing. He gives Himself to you, not just to be seen but to be touched, to be eaten, to be received within .... Let all of you be ardent, fervent, enthusiastic. If the Jews stood, shoes on, staff in hand, and eating in haste, how much more vigilant should you be. They were about to go to Palestine; ... you are about to go to heaven.
Zest. Gusto. How rarely one hears these words used. How rarely do we see people living, or for that matter, creating, by them. Yet if I were asked to name the most important items in a writer's make-up, the things that shape his material and rush him along the road he wants to go. I would only warn him to look to his zest, see to his gusto.
How do you know the chosen ones? No greater love hath a man than he lay down his life for his brother. Not for millions, not for glory, not for fame... for one person. In the dark. Where no one will ever know or see.
The first thing I do in the morning is pick up my cell phone and call my mother to check that she's ok, and the first thing I do in the evening is call my mother to see how she's doing, and my son to see how his day went.
In natures, we see God, as it were, like the sun in a picture; in the law, as the sun in a cloud; in Christ we see Him in His beams; He being 'the brightness of His glory, and the exact image of His person.
Maybe the only thing each of us can see is our own shadow. Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations. The same way old painters would sit in a tiny dark room and trace the image of what stood outside a tiny window, in the bright sunlight. The camera obscura. Not the exact image, but everything reversed or upside down.
God may thunder His commands from Mount Sinai and men may fear, yet remain at heart exactly as they were before. But let a man once see his God down in the arena as a Man-suffering, tempted, sweating, and agonized, finally dying a criminal's death-and he is a hard man indeed who is untouched.
The night is quiet. Like a camp before battle. The city beset by a thing unknown and will it come from forest or sea? The murengers have walled the pale, the gates are shut, but lo the thing's inside and can you guess his shape? Where he's kept or what's the counter of his face? Is he a weaver, bloody shuttle shot through a time warp, a carder of souls from the world's nap? Or a hunter with hounds or do bone horses draw his dead cart through the streets and does he call his trade to each? Dear friend he is not to be dwelt upon for it is by just such wise that he's invited in
There came to him an image of man’s whole life upon the earth. It seemed to him that all man’s life was like a tiny spurt of flame that blazed out briefly in an illimitable and terrifying darkness, and that all man’s grandeur, tragic dignity, his heroic glory, came from the brevity and smallness of this flame. He knew his life was little and would be extinguished, and that only darkness was immense and everlasting. And he knew that he would die with defiance on his lips, and that the shout of his denial would ring with the last pulsing of his heart into the maw of all-engulfing night.
He bequeaths us His manger, from which to learn how God came down to man, and His cross to teach us how man may go up to God.
Man is like a tree. If you stand in front of a tree and watch it incessantly, to see how it grows, and to see how much it has grown, you will see nothing at all. But tend it at all times, prune the runners and keep it free of beetles and worms, and all in good time-it will come into its growth. It is the same with man: all that is necessary is for him to overcome his obstacles, and he will thrive and grow. But it is not right to examine him hour after hour to see how much has already been added to his stature.
How many of you say: I should like to see His face, His garments, His shoes. You do see Him, you touch Him, you eat Him. He gives Himself to you, not only that you may see Him, but also to be your food and nourishment.
Once you sign on as an actor, you know, you don't go to the editing room, you don't see how they cut, you don't see how they score, you don't see how they cast the rest of the movie.
The world would see the beauty of the packaging, but only I knew the man inside it and how precious he was. His intimate smiles and his deep husky laugh, the gentleness of his touch and the ferocity of his passion were all reserved for me.
He wants her in his bedroom. And not in that way — no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.
Today, the Lord lets me see the cloud of His glory. It comes down, and I preach in it; and I can see His glory with my eyes open or closed. ... An angel stands by my side and directs me in every miracle service, and he even tells me things that are going to happen ahead of time.
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