A Quote by Frank Lloyd Wright

The space within becomes the reality of the building. — © Frank Lloyd Wright
The space within becomes the reality of the building.
The reality of the building does not consist in the roof and walls, but in the space within to be lived in.
The photograph contains and constrains within its own boundaries, excluding all else, a microcosmic analogue of the framing of space which is knowledge. As such it becomes a metaphor of power, having the ability to appropriate and decontextualize time and space and those who exist within it.
The sense of space within the reality of any building is a new concept wherever architecture is concerned. But it is essential ancient principle just the same and is not only necessary now but implied by the ideal of democracy itself.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
What makes architecture extraordinary is that you're looking at the building, but your peripheral vision is also seeing how it fits within a space. And it's seeing more than one part of the building at one time.
The most important part of my work on The Orion Building was the creation within the apartments of living space which inspires people and the way they live their lives, whether they have bought a one-bedroom apartment or the penthouse. This building is beautiful to see, sense, and experience.
It won't be an issue. The area we're modifying will have more breakout space, but I don't think it exceeds 1,000 feet. It's space we already have in the building, the public lobby area, which, in reality, we use now for breakouts and breakfast.
It is possible to make buildings by stringing together patterns, in a rather loose way. A building made like this, is an assembly of patterns. It is not dense. It is not profound. But it is also possible to put patterns together in such a way that many patterns overlap in the same physical space: the building is very dense; it has many meanings captured in a small space; and through this density, it becomes profound.
And it (the left brain) has a massive role within this reality, yes. It is basically the point where infinite consciousness joins this reality. It’s that conduit. But if you get trapped in it, and imprisoned by it, you become the decoding mechanism itself and it becomes your awareness.
Whatever comes to us in life we create first in our mentality. As the building is a reality in all its details in the architects mind before a stone or brick is laid, so we create mentally everything which later becomes a reality in our achievement.
... If we consider the difference between William Henry Jackson packing in his camera by mule, and the person stepping for a moment from his car to take a picture with his Instamatic, it becomes clear how some of our space has vanished; if the time it takes to cross space is a way by which we define it, then to arrive at a view of space 'in no time' is to have denied its reality.
Space and time are the framework within which the mind is constrained to construct its experience of reality.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
Thirty spokes meet in the hub, but the empty space between them is the essence of the wheel. Pots are formed from clay, but the empty space within it is the essence of the pot. Walls with windows and doors form the house, but the empty space within it is the essence of the home.
In virtual reality, it's more about capturing and creating worlds that people are inhabiting. You really are a creator in the way the audience lives within the world that you are building.
As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.
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