Organic buildings are the strength and lightness of the spiders' spinning, buildings qualified by light, bred by native character to environment, married to the ground.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
I want to do very useful buildings and I would like to find a method of producing these buildings through our technology because I think that this is the only way that we will gain wonderful environment easily in the future.
I don't think all buildings have to be iconic, but the history of the world has shown us that cultures build iconic buildings for their major public buildings.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
We shouldn't just look at new buildings but at existing stock building because that's an even greater problem than the new buildings being built. The renovation of existing buildings and making them green is just as important as designing new green buildings.
What I have learned about museum buildings is that buildings have to have iconic presentations. The position of the art museum vis-a-vis other civic buildings needs to be hierarchal in the community. It has to be equal to the library and the courthouse.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Architectural features of true democratic ground-freedom would rise naturally from topography, which means that buildings would all take on the nature and character of the ground on which in endless variety they would stand and be component part.
In Florence, classical buildings sit against medieval buildings. It's that contrast we like.
I wanted to be an architect. I used to draw houses and buildings and construct buildings on my own.
A city, far from being a cluster of buildings, is actually a sequence of spaces enclosed and defined by buildings.
Chinese buildings are like American buildings, with big footprints. People don't care about daylight or fresh air.
Of course, I have given my engineers some headaches over the years, but they go with me. I have always wanted my buildings to be as light as possible, to touch the ground gently, to swoop and soar, and to surprise.
We try to turn buildings into landscapes - defying the idea of modernism which sees nature and buildings as two distinct elements.
Seoul will strictly limit the total greenhouse gas emissions from buildings and expand the construction of zero-energy buildings.