A Quote by Frank McCourt
Just let them sit in the goddam sun. But the world won't let them because there's nothing more dangerous than letting old farts sit in the sun. They might be thinking. Same thing with kids. Keep 'em busy or they might start thinking.
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(After meeting her birth mother after more than 40 years) We exchange bunches of orchids, laughing at the coincidence of the flowers. A little unnerving: I wonder if that choice has anything to do with genetics. ... I want to take mine home and look after them so that they live for days. I might spray the leaves, and make sure they sit in an easterly window, and keep them out of the direct sun.
People ask me, 'What were you thinking during that game-winning penalty kick in the 2011 World Cup?' I was actually thinking absolutely nothing. I just walked up there and was so inspired by my teammates who rocked all their PKs; they just killed it. I figured I might as well do the same, or they might have my neck.
We might adapt for the artist the joke about there being nothing more dangerous than instruments of war in the hands of generals. In the same way, there is nothing more dangerous than justice in the hands of judges, and a paint brush in the hands of a painter! Just think of the danger to society! But today we haven't the heart to expel the painters and poets because we no longer admit to ourselves that there is any danger in keeping them in our midst.
He had to keep thinking of them because if he forgot them and did not think of them they might forget about him. And he had to keep hoping.
America thinks if you're fat, you're stupid. That's great. I want them to keep thinking that. Let them keep on thinking that because the truth is, the expectations are blown away even more when you realize what I'm saying and doing.
Everybody has a story. It's like families. You might not know who they are, might have lost them, but they exist all the same. You might drift apart or you might turn your back on them, but you can't say you haven't got them. Same goes for stories.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
I'm not going to sit around an pretend I'm not thinking things on my blog when I am thinking them and when I'm open to rebuttal.
I never really have to sit at a desk thinking, "What should I do now?" It doesn't work like that for me, and it never has. My thinking process is constant. The difference is that once I was in Antwerp only doing two men's shows a year. And the weird thing is I thought I was busy then.
The opposite of love is apathy, and hate is really the same as love-if your so consumed with hatred for someone, you might as well be loving them because your thinking about them for the same amount of time.
I do a so-called trip into myself: I sit down at the piano and the melody might start to evolve from my playing or then I might start to sing it.
Long runs are definitely tedious, but I find that timing is important on them. I like to do my long runs either early in the morning as the sun rises or in the late afternoon when the sun sets because it gives me something to see instead of thinking about how long I'm running.
It's been nice, actually, to keep in touch with a lot of the people and families that I've written about. Like with the kids I was just writing about from Guatemala, who survived being kidnapped and fleeing violence, it was nice to just sit down in their living room and play bingo with them, go to dinner with the family. And sometimes not thinking about it in such a mechanistic "I am now coming to report and get what I need" way, but just spending time, helps you see a more natural version of who they are too.
I'm pretty critical, but I'm also pretty good at letting go once it's done. There's this existential argument that comes in, at some point, when you're over-thinking the songwriting process. There's no guarantee that the more time you spend or the more you concentrate on certain aspects that that's going to produce a better result, especially in the arts. Some of the most brilliant things that someone might do could happen in three minutes because it's something that just occurs to them.
If you are going to be successful, you have to start hanging out with the successful people. You need to ask them to share their success strategies with you. Then try them on and see if they fit for you. Experiment with doing what they do, reading what they read, thinking the way they think, and so on. If the new ways of thinking and behaving work, adopt them. If not, drop them, and keep looking and experimenting.
There was a culture that came out of the self-esteem movement which was don't anybody keep track of the goals. The kids keep track, but nobody keep track of the goals because we don't want the kids to have the experience of losing. And in depriving them losing, thinking it scarred them to lose, we made losing so taboo, so unspeakable, that we instead made losing more scary to kids, not less scary.
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