A Quote by Frank McCourt

You sail into the harbor, and Staten Island is on your left, and then you see the Statue of Liberty. This is what everyone in the world has dreams of when they think about New York. And I thought, 'My God, I'm in Heaven. I'll be dancing down Fifth Avenue like Fred Astaire with Ginger Rogers.'
As a little girl, I didn't dream of being a ballet dancer; I dreamt of being a movie star like Ginger Rogers and dancing with Fred Astaire. I used to watch the Sunday double-bills on TV and Iong to be part of what seemed a perfect Disneyland world. Astaire was a genius.
Staten Island is like a different world. If you're from Staten Island, you're like not from New York, you're from Staten Island.
I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.
I live in a wonderful world of make-believe. A world of Ginger Rogers and Fred Astaire. A world of Winnie the Pooh and Edward Bear. Things like that. Wonderful things. Funny things.
There's a reason why in New York Harbor we have the Statue of Liberty, not the Statue of Equality.
I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.
I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.'
In commemoration of the fact that France was our ally in securing independence the citizens of that nation joined with the citizens of the United States in placing in New York harbor an heroic statue representing Liberty enlightening the world. What course shall our nation pursue? Send the statue of Liberty back to France and borrow from England a statue of William the Conqueror?
Because we are human, because we are bound by gravity and the limitations of our bodies, because we live in a world where the news is often bad and the prospects disturbing, there is a need for another world somewhere, a world where Fred Astaire and Ginger Rogers live.
After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.
While I was making my solo films, RKO was busily trying to get me and Fred Astaire back together. The studio wanted to capitalize on the success of 'Flying Down to Rio' and realized that the pairing of Rogers and Astaire had moneymaking potential.
Fred Astaire. Not a handsome man. He said himself he couldn't sing. He was balding his whole life. He danced like a cheetah runs with the grace of the first creation. I mean, that first week. On one of those days God created Fred Astaire. Saturday maybe, since that was the day for the pictures. When you s Fred you felt better about everything. He was a cure. He was bottled in the films and all around the earth, from Castlebar to Cairo, he healed the halt and the blind. That's the gospel truth. St. Fred. Fred the Redeemer.
I don't drink coffee I take tea my dear, I like my toast done on one side. And you can hear it in my accent when I talk, I'm an Englishman in New York. See me walking down Fifth Avenue, a walking cane here at my side. I take it everywhere I walk, I'm an Englishman in New York. I'm an alien I'm a legal alien, I'm an Englishman in New York.
TV has made dancing less important. It used to be a real treat to go to the movies and see Fred Astaire dance. But now you see dancing every time you turn on the set. You see lines of girls on the variety shows - even girls dancing around a big box of cleaning powder for commercials.
I did a dance with Fred Astaire in the movie 'Bandwagon.' I got to waltz just from left of camera to right of camera, and I'm taller than Fred Astaire. Fortunately, I was wearing a long skirt, so I waltzed with bended knees.
When Ginger Rogers danced with Astaire, it was the only time in the movies when you looked at the man, not the woman.
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