A Quote by Frank McCourt

People who think I have insulted Ireland or Limerick or my family have not read the book! — © Frank McCourt
People who think I have insulted Ireland or Limerick or my family have not read the book!
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.
I think any comic book - or really, any book that you can read - in a sense is an educational tool in that it helps literacy. The more you read, the better you get at it. It almost doesn't matter what you read, the important thing is for young people to become readers.
I like to think 'The God Delusion' is a humorous book. I think, actually, it's full of laughs. And people who describe it as a polarizing book or as an aggressive book, it's just that very often they haven't read it.
I think that some books are more successful than others to certain readers. People who read my books for the humor, they're going to love one book. People who read my books for the mystery, they might not like that book quite as much.
People really need to take time and read a book. You know? That’s my advice. You could read A New Slant on Life, you could read Dianetics. And I think if you really read it, you’ll understand it, but unless you do, you’ll speculate. And I think that’s a mistake to do that.
There are people who think contraception is immoral because the object of copulation is procreation. In a similar way there are people who think the only reason to read a book is to write a book.
I think people need to remember that a book isn't done after a few rewrites and a publisher isn't going to buy an 'undone' book so the hard part is making it a book that at least ten other people want to pay for to read.
As a historically voracious reader - pre-baby, I averaged a book every week or two, and when I was a kid, I'd routinely read a book a day - I never understood how some people could not read. When I heard people say they didn't have time to read, in my head, I simultaneously pitied and ridiculed them: there was always time to read.
I don't think we in Ireland have to follow slavishly what other countries have done. Ireland has its own strengths - in family life, in the local community, in the concept of meitheal, a very traditional form of cooperation in rural Ireland. Three or four or five neighbors get together, exchanging labor, farm equipment, and so on. There are strong solidarity overtones. That tradition is being translated today into community self-development.
For the newspaper is in all literalness the bible of democracy, the book out of which a people determines its conduct. It is the only serious book most people read. It is the only book they read every day.
I think there's a down-to-earthness with Midwesterners and with people from the Midlands - which is where my family is from - in Ireland.
In Limerick, a family that was dysfunctional was one who could afford to drink but didn't.
God forbid that I should ever suffer the shame of publishing a book for money, or of having one of my family so demean themselves. How can one tell who might read it? No worthy book has ever been written for gain, I think.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
I opposed the Fatwa against Salman Rushdie. I read the book and took a critical distance. I did not think The Satanic Verses is a blasphemous book. I did not consider the book as being a great read, but as an intellectual I read, I assess, and I respond. I make a difference between true freedom of expression to which we owe a response and provocation, which we ignore.
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