A Quote by Frank Miller

I find that if somebody is writing and drawing a comic book, planning it to be a movie and a game at the same time tends to lead to a pretty lame job. — © Frank Miller
I find that if somebody is writing and drawing a comic book, planning it to be a movie and a game at the same time tends to lead to a pretty lame job.
When I'm writing a comic book, I'm thinking about a character that I'm going to be drawing on the page. I've never drawn a character to look like who I want to cast in a movie because I don't think that way. I'm a real monomaniac. I do one thing at a time.
I'm used to doing comic books, where every month there's a new comic book! I find that the movie business is not quite the same. It doesn't move quite as fast.
Any time anyone makes a comic book into a movie, in some way, I think they have to kill the comic book.
I always start drawing any job by planning out to some degree the locales and trying to nail the characters. If they're existing characters, I'll draw them several times on rough paper just to get a feeling for them. The ideal when you're drawing a comic is to have everything in your head, not to have to refer to notes.
Alfred Hitchcock talked about planning out his movies so meticulously that when he was actually shooting and editing, it was the most boring thing in the world. But drawing comics isn't like shooting a movie. You can shoot a movie in a few days and be done with it, but drawing a comic takes years and years... That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
I stood on Susan Boone's front porch, feeling lame. But then, since I've pretty much felt lame my entire life, this was no big surprise. On the other hand, usually I felt lame for no particular reason. This time I really had a reason to feel lame.
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
"Comic book" has come to mean a specific genre, not a story form, in people's minds. So someone will call Die Hard "a comic-book movie," when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
'Comic book' has come to mean a specific genre, not a story form, in people's minds. So someone will call 'Die Hard' a 'comic-book movie,' when it has nothing to do with comic books. I'd rather have comics be the vehicle by which stories are told.
To me, my favorite comic book movies were the ones that were never based on comic books, like Unforgiven. That's more the kind of thing that get us inspired. Usually when you say something's a comic book movie, it means you turn on the purple and green lights. Suddenly that means it's more like a comic book, and It's not really like that.
Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.
You either ignore the comic book and make a great movie or you stay very close to the comic book.
'RoboCop,' when that came out, was like the best comic book movie ever, and it's not based on a comic book.
I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.
He found a formula for drawing comic rabbits: This formula for drawing comic rabbits paid. Till in the end he could not change the tragic habits This formula for drawing comic rabbits made.
I came in with a very specific idea about what a Doctor Strange movie should be, which was rooted in the comics, and I thought it should be as weird and as visually ambitious compared to modern comic book movies as the comic was when it showed up in the '60s compared to other comic books at the time.
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