A Quote by Frank Miller

Cartoonists' dirty secret is that we tend to come up with stories that involve things that are really fun to draw. — © Frank Miller
Cartoonists' dirty secret is that we tend to come up with stories that involve things that are really fun to draw.
'Cartoonists' dirty secret is that we tend to come up with stories that involve things that are really fun to draw.
A lot of the things that involve power on the highest levels sometimes involve the darker side of human psychology. People can be very passive aggressive or they can be aggressive and they can conceal their intentions. There's this world that exists that nobody writes about or describes it's like a dirty little secret or taboo.
Luckily, my limited attention span is well suited to the velocity of the news cycles. There's an assault of stories coming at you on even a slow-ish news day, but certain things just tend to stick out. Certain stories just seem to have an odd sort of electricity. It does get tricky when you're pitching an image that won't hit the newsstands for another week. Not only can other, bigger stories break in the mean time, but other daily cartoonists, can also come up with the same idea - this is the most depressing thing - and put it out there so yours looks old by the time it's published.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
Well people love to go dirty and stuff like that. It's funny, because even really dirty things can kind of inspire, but all things inspire really dirty improv and monologues. So then really dirty things can inspire the exact opposite. It's kind of a crapshoot.
In independent film you tend to have stories that involve more of a community, and the smaller characters are important to the story.
The dirty little secret of the intelligence world is that much of what you really need to know isn't exactly a secret anyway.
If you find my stories dirty, the society you are living in is dirty. With my stories, I only expose the truth
Men feel challenged when a woman is in danger, so those types of stories interest women and they interest men on a level that the crimes against men tend to draw a different visceral reaction. Again, not saying it's right, but they tend to draw a different visceral reaction, which is that the man was out in the world doing men stuff and something happened to him.
Being an author is fun. It's a great job, because I can stay up as late as I want, and if I feel like taking the day off, I do it. Plus, I get to make up silly stories and draw pictures all day.
He stops rocking the cage. "Oh, come on, Callie. It won't be fun if we don't rock it. In fact, the more we rock it, the better it'll feel." His voice drops to a deep whisper. "We can rock it nice and slow or really, really fast."... "Do I have your permission to rock away and give you the ride of your life?" Why does it feel like he's secretly talking dirty to me? "Yeah, go ahead, rock it nice and hard," I say without thinking, then bite down on my lip as the dirty section of my brain catches up with me. Honestly, I didn't even know that side existed.
Narratively speaking, innocent misunderstandings are disappointing. Arbitrary events are also disappointing. The stories that really grab our attention involve not accidents but people doing things on purpose - to get things they desperately want.
D.H. Lawrence had the impression – that psychoanalysis was shutting sexuality up in a bizarre sort of box painted with bourgeois motifs, in a kind of rather repugnant artificial triangle, thereby stifling the whole of sexuality as a production of desire so as to recast it along entirely different lines, making of it a ‘dirty little secret’, a dirty little family secret, a private theater rather than the fantastic factory of nature and production
I usually make up stories for my kids.I like to tell them stories and make up any kind of crazy to involve them in characters. The kind of fairytales I don't like are the ones with happy endings, where there's just good and evil and things are perfect. I think when there's a good story for children it has a moral tale, so that's what I try to teach my kids.
Poetry was my dirty little secret when I was a fiction writer at Iowa, and then fiction became my dirty little secret when I started writing more poetry and working for 'Rookie'.
At that time, the people that were in the animated film business were mostly guys who were unsuccessful newspaper cartoonists. In other words, their ability to draw living things was practically nil.
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