A Quote by Frank Miller

Sometimes the solitary voice can be the best one. — © Frank Miller
Sometimes the solitary voice can be the best one.
The ability to walk in someone else's shoes, or in my case, play down in someone else's cleats is one of the very best things you can do. There's nobody in this world who doesn't have that voice in their head. Sometimes it's the best voice in the world, and it pumps you up, but sometimes the voice is down. I wanted my players to be able to hear my voice in their head instead of someone else's because I knew that was a narrative I could control.
Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice. And sometimes an active policy is best advanced by doing nothing until the right timeor never.
Sometimes IVs and pills weren’t always the best course of treatment for the injured. Sometimes all you needed was the touch of the one you loved and the sound of their voice and the knowledge that you were home, and that was enough to drag you back from the brink.
Sometimes I hear a voice - sometimes it's the voice of someone I know. And sometimes that leads to a character, which leads to a story.
Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice.
Solitary confinement has been used extensively, it always has. I was in prison for 44 years; it was a normal part of life - the practice of it. They put you in solitary confinement for disciplinary reasons, they put you in solitary confinement to protect you from violence or whatever, and they also put you in solitary confinement just to show you who has got the power ... It's not something new; it's just something that nobody really cared about in the past.
What scares me the most is that both the poker bot and Dropbox started out as distractions. That little voice in my head was telling me where to go, and the whole time I was telling it to shut up so I could get back to work. Sometimes that little voice knows best.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
When bad things turn good, the reason can usually be found in the human heart—sometimes in the hearts of great masses of people, sometimes in the heart of a solitary soul.
Photography is a small voice, at best, but sometimes one photograph, or a group of them, can lure our sense of awareness.
Solitary. But not in the sense of being alone. Not solitary in the way Thoreau was, for example, exiling himself in order to find out where he was; not solitary in the way Jonah was, praying for deliverance in the belly of the whale. Solitary in the sense of retreat. In the sense of not having to see himself, of not having to see himself being seen by anyone else.
... there must be reserves -- except with God. The human soul is solitary. But for confession that is different; justice and reparation sometimes demand it; but, again, justice and courage sometimes forbid it.
My best time to write is right after coffee and breakfast - four eggs - because, full disclosure, I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, 'Don't write that,' or, 'Man, that sentence is terrible - you should give up and go pet the cats.'
My best time to write is right after coffee and breakfast - four eggs because, full disclosure: I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, "Don't write that," or "Man, that sentence is terrible - you should give up and go pet the cats."
Sometimes you want to skate along or just get by or fly under the radar, but sometimes you have to stand up and let your voice be heard and give it your best and give it your all. As a mother of young children, that's something I've tried to emphasize and highlight for them.
When Nina Simone first sings the title of 'Feeling Good,' her voice has been alone for thirty-nine seconds. The solitary singer: there's always something fiat lux about it. Resolute, the individual moves through the void. You know the accompaniment is coming, but the voice, all by itself, makes you care about it: form turns into feeling.
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