A Quote by Frank O'Hara
oh mothers you will have made the little tykes
so happy because if nobody does pick them up in the movies
they won't know the difference
and if somebody does it'll be sheer gravy
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That's one thing that's always, like, been a difference between, like, the performing arts, and being a painter, you know. A painter does a painting, and he paints it, and that's it, you know. He has the joy of creating it, it hangs on a wall, and somebody buys it, and maybe somebody buys it again, or maybe nobody buys it and it sits up in a loft somewhere until he dies. But he never, you know, nobody ever, nobody ever said to Van Gogh, 'Paint a Starry Night again, man!' You know? He painted it and that was it.
There are the movies that should never be made and resist being made until, through sheer brute force, somebody finally makes it. And then, there are the movies you can't stop from being made because they just want to be made.
A woman will toss her head and a man will say, 'Oh she's trying to pick me up,' when in fact she's not doing that at all. So, women actually have to be a little careful with what they do, because men will pick up things that they didn't mean.
~I got pregnant, and I was like, 'Oh God, it worked! Oh no!' Chris [Ivery, her husband] and I were super happy, then I got terrified! Will I know how to do everything right? Of course, nobody does everything right, but as long as your baby is the priority, that's the best you can do.~
The bigger problem still is that it determines in many ways what movies get made in the first place. Because as sources of finance are considering a project, they ask themselves, "Does this lend itself to a simplistic marketing approach which will guarantee a big opening weekend?" As a movie-goer, I think that's tragic, because when you look back at those movies that made us fall in love with movies in the first place, most of them were not high-concept, and most of them would not have "won their weekend."
Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
Oh, my darling, wish you were here! And my dark soul is happy again, because it does not know how to be anything else for very long, and because the pain is a deep dark sea in which I would drown if I did not sail my little craft steadily over the surface, steadily towards a sun which will never rise.
Nobody really thinks who does not abstract from that which is given, who does not relate the facts to the factors which have made them, who does not - in his mind - undo the facts. Abstractness is the very life of thought, the token of its authenticity.
Every once in a while, there comes a story. A story that blows your mind. One where you know you've made a difference. That's what makes it all worthwhile. That and the anticipation. It's addictive, because you never know when it will happen, but when it does, nothing in the world is as important.
God picks you up. You don't pick yourself up. You're the one who knocked you down or even if somebody else knocked you down, your willingness to believe that what they said had value, was your conspiring with them, with their effort to knock you down - I've never been able to get myself up and I've noticed that every time I ask God to pick me up - he does.
If we are in a supermarket when someone drops a bag of groceries on the floor and we don't help that person pick things up, what difference does it make how deeply we know we're a being of God?.
We don't have problems. We have some protesters. Every once in a while, somebody will stand up. Today, we had a little more than normal in St. Louis in the morning. We had a number of people standing up. And it was fine. Nobody got hurt. But you know, they had to get taken out. And they're disruptive, and we do the best we can to do a little creative - have a little bit of fun with them.
Translation is harder, believe it or not. You do have to come up with a story, and actually I'm mystified by that process. I don't exactly know how the story just comes, but it does. But in writing a story that you're inventing, versus writing a story that somebody else has made up - there's a world of difference. In translation you have to get it right, you have to be precise in what you're doing.
If you are ending up where you want to be, what difference does it make whether you went fast or slow? Or what difference does it make whether it was painful before it got really good? Isn't that the point of free will? You get to choose.
People grew up on the animated movie. Bill Condon is Bill Condon. And nobody does those movies better than Disney does.
Every performer has a little gem, a little pearl they have done that nobody pays much attention to. And then one day, somebody does recognize it, which is so gratifying.
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