A Quote by Frank Ocean
The work is the work. The work is not me. I like the anonymity that directors can have about their films. Even though it's my voice, I'm a storyteller.
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I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors. That doesn't mean I don't like to work with starting up young directors, that's fun also.
Great directors turn in mediocre work, and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know. You just have to go with a good story and a script that you like and people that you like to work with.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
I guess I don't really measure myself by what others think. So even though I have gotten to work with some amazing directors, and you might perceive me to be that girl, that isn't how I see myself. So if one day nobody wants to work with me, it won't be this massive surprise.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I work with big directors. I work with good actors. I act in female-centric films. And I do all this without ever indulging in a casting couch experience. Because I believe in hard work, talent, and blessing.
I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.
Producing is making films without having to work sometimes. It's still making films, but it's a different job. When you're the director, you kinda do all the work. I'm actually going tonight to check the prints of my movie even though the premiere's tomorrow night.
The biggest misconception about me and my work is that I only make political films denouncing human-rights atrocities, even though all of my films are about people fighting for their rights and their quest for justice. My films aren't depressing, are very human, and always offer a way forward.
I like the anonymity that directors can have about their films.
As actors, we have the opportunity to work with many directors. Directors only work with themselves and other actors. They never know what it is like to work with another director. So that relationship that one has with a director is entirely always the king.
My work is about making candy for the eyes. It's about grabbing your attention. Even though my work is appearing in magazines I am trying to make a large picture. I want my photographs to read like a poster.
To be recognized for your hard work is a true honor. An Academy Award nomination is one thing that, five years later, I can't form a sentence about. It has not made me feel like I can work any less hard. It makes me feel like I have to work 100 times as hard, to even be as remotely good, to work through an experience that could take me through that again.
I met Tyler Perry and we did 'House of Payne' and a movie. We've done a couple other films since then, but it all boils down to the work. I'm a work-a-holic, which is why I think that I've been successful. If you tell me no, I'll work even harder!
I've been fortunate to work with good directors who understand improvisation and understand the way comedians work. Luke Basan let me do my thing like do what you feel and take the character to another level. Quentin Tarrantino was more of an acting coach. He can teach you beats and then hell say go with it but give this feeling. So I've been fortunate to work with good, seasoned directors.
I was only 26 when I started my career. Those days I only wanted to work. When my films did not work, I didn't know what to do. But I never went to anyone for work. Work came in search of me.
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