A Quote by Frank Ocean
I wrote 'Channel Orange' in two weeks. The end product wasn't always that gritty, real-life depiction of the real struggle that happened.
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If you can accept the flow of life and give in to it, you will be accepting what is real. Only when you accept what is real can you live with it in peace and happiness. The alternative is a struggle that will never end because it is a struggle with the unreal, with a mirage of life instead of life itself.
We just wrote songs that seemed good to us. We wrote the album in like two weeks. We could have had more time, but we accomplished what we needed to in the two weeks.
Even if it happened in real life - and oftentimes, especially if it happened in real life - it might not work in fiction.
When I wrote my fictional novels, they always had a starting point of something real. Those images that are not real are exactly the same strength and power of the real ones, and the line between them is completely blurred.
I think "honest" sometimes gets used to describe a real depiction of real life. I don't think that's necessarily what we're doing. We created these fake characters and we're just trying to figure out what they would do in situations they enter into.
I'm real strong, and I'm also real feminine, and I don't find a struggle having those two things under one roof.
Strikes (1981) are real life. It took up seven weeks of real time. That's a fifth of a pregnancy.
I used to hide my real emotions in gobbledegook, like in In His Own Write. When I wrote teenage poems, I wrote in gobbledegook because I was always hiding my real emotions from Mimi.
You know how it always is, every new idea, it takes a generation or two until it becomes obvious that there's no real problem. It has not yet become obvious to me that there's no real problem. I cannot define the real problem, therefore I suspect there's no real problem, but I'm not sure there's no real problem.
In real life, things don't all end at the nice same place. To keep the story real, there has to be kind of a ragged edge at the end of a novel.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
In other words, it was a struggle with himself. And the product of that struggle: anger, bitterness, resentment, envy or transformation, aspiration, hope, decency..the product of that struggle is the quality of your life and the nature of your soul.
I patterned the accent after this guy I was in a play with, but that was three years ago. Now I'm listening to Tony Head (Giles in Buffy), who sounds kind of like Spike in real life. It's much more tough-guy talk in real life. His accent (as Giles) is just as fake as mine. His is nice and gritty, but it's not North London. I'm always afraid that I'm morphing over into Tony Head, wherever he's from.
Real relationship is gritty and earthy, the stuff that life is made of.
I made orange juice from concentrate and showed her the trick of squeezing the juice of one real orange into it. It removes the taste of being frozen. She marveled at this, and I laughed and said, Life is easy. What I meant was, Life is easy with you here, and when you leave, it will be hard again.
...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.
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