A Quote by Frank Ocean

I can operate in half-a-song format. — © Frank Ocean
I can operate in half-a-song format.
Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.
Because I'm not in a record deal, I don't have to operate in an album format.
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
As a format, I have watched shows from the West. I have tried to understand what it is and how this format is treated by writers, directors, and actors. I have been studying this format for four to five years.
Remember: TV is a format, film is a format, and books are a format.
With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
I don't write songs, songs write me. ... Writing a song can be agony or ecstasy. It can take half an hour or half a year. ... The popular song is America's greatest ambassador.
There's kind of this unequaled thrill of playing a half-finished song, it's kind of sense of slight embarrassment; like you're blushing. I like doing that. I did that with "Eyeoneye" and it was almost a curse on the song for a while; I debuted it when it was half-finished in a very public way
I don't operate on smokers. I tell cigarette smokers that I can operate on you, I get paid the same. And you might even do well. But it's the wrong thing to do. So I refuse to operate on you until you stop smoking.
What I love about podcasting is it's guerilla radio. I don't have to stick to anybody's protocol or format. I can operate my show just like I want to, but at the end of the day, it's just a can of audio whoopa**. My show is built to entertain.
I'm not as religious as some people about "the album." To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that's 45 minutes. You had A-side songs and B-side songs; I always loved the first song on side B. And there's nothing wrong with that. Prog albums of the 70s adapted to that format very much. But not all musicians want to create 45 minutes of music that has to be listened to in chronological order.
Within TG, we liberated the use of the lyric forever. There was no longer a taboo on what could be discussed in the conceptual format of a song.
We all operate on different levels of awareness. Half the time I don't know what I'm doing.
It's Twenty20, anything can happen in the format. It's very difficult to predict and pick a favourite team in this format.
As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
A tree there is that from its topmost bough Is half all glittering flame and half all green Abounding foliage moistened with the dew; And half is half and yet is all the scene; And half and half consume what they renew.
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