A Quote by Frank Oz

I've done TV for tons and tons of years, so I'm not crazy about doing more TV, but with films, all I want to do are different projects that aren't all the same. — © Frank Oz
I've done TV for tons and tons of years, so I'm not crazy about doing more TV, but with films, all I want to do are different projects that aren't all the same.
I want there to be tons and tons and tons and tons of movies starring women.
I don't want to do roles in films which I have already done on TV. What is the point of jumping to films and doing the same thing?
The most I've ever done was twenty-something, but that's wasn't because I wanted to. I feel like to me it's usually somewhere between two and- no, it's very hard to say because it really depends up on the shot, you know? If it's a complicated master shot and you know that this is the only thing that you're doing for that scene, a complicated one-er, you're going to maybe end up doing a few more takes than you normally would. But I'm not a big believer in doing tons and tons and tons of takes.
I was born in 1950, so there were tons of Westerns on TV by the time I was 6, 7, 8 years old. In terms of television, 'Maverick' and 'Have Gun - Will Travel.' But filmically, classics like 'High Noon' and 'The Man Who Shot Liberty Valance' - that's one of my favorite films.
People already have tons of regular TV. They don't need more of that.
I've done some wonderful performance on TV even better than films. But once people watch it, they just forget it. The impact is not strong. So, films and TV are different.
If reggae comes from another country, you can have the relationship to reggae that I have to rock. But it's something I grew up with. It's probably something I appreciate more now. In the '80s, I was all about New Wave and synth pop - New Order and Depeche Mode and Eurythmics and Michael Jackson and tons and tons and tons of Prince.
I have tons of Air Force Ones. Luckily, I'm with Nike, so I get tons of different shoes.
Now, we put out a lot of carbon dioxide every year, over 26 billion tons. For each American, it's about 20 tons. For people in poor countries, it's less than one ton. It's an average of about five tons for everyone on the planet. And, somehow, we have to make changes that will bring that down to zero.
Material comes all kinds of ways, and it's never a question of a lack of material or a lack of projects - I have tons of projects. The issue is to convince someone to give you the money. And it's a very different business than it was just 8 years ago.
I've mixed sparring partners up. I've done tons upon tons of rounds with big, heavy lumps who are trying to take my head off.
With an animated show you can make a banana purple. You can put three hats on a cowboy. That would require several days of stitching, in live-action, that you wouldn't be able to afford. I mean, you can just do tons and tons and tons.
Real entrepreneurs do what they say they're going to do, wannabes ask about it and have tons and tons of coffee meetings.
I took a break from TV for about three-four years. During that time, I had to let go of some of the best shows that were offered to me, as I wanted to focus on films. It was believed that if you are seen too much on TV, you won't get films.
I prefer to not be feeling like I'm having to be fake about things that are the most dear to me in terms of writing, which is something related to my own, personal writing. I mean, I've done tons and tons of fake writing.
That one [in "2012"] was different because it was all CG, getting washed away by water. In "Independence Day," everything was still done in models, built in a certain scale out of plaster, and packing tons and tons of little explosives and charges in there. We had a second one in case it didn't work the first time, but it worked the first time.
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