A Quote by Frank Oz

Always two there are, a master and an apprentice. — © Frank Oz
Always two there are, a master and an apprentice.

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If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.
The apprentice and the master love the master in different ways.
Apprentice is the beginner - the first years you work in a craft in the European sense you are an apprentice. That takes 3 or 4 years. Then you are a journeyman. You can go from one master to another and learn other tricks and other secrets.
You have to roll up your sleeves and be a stonecutter before you can become a sculptor - command of craft always precedes art: apprentice, journeyman, master.
The spiritual master and Krishna are two parallel lines. The train, on two tracks, moves forward. The spiritual Master and Krishna are like these two tracks. They must be served simultaneously. Krishna helps one to find bona fide Spiritual Master and bona fide Spiritual Master helps one to understand Krishna. If one does not get bona fide Spiritual Master, then how he can ever understand Krishna ? You cannot serve Krishna without Spiritual Master, or serve just Spiritual Master without serving Krishna. They must be served simultaneously.
I'm not a master. I'm a student-master, meaning that I have the knowledge of a master and the expertise of a master, but I'm still learning. So I'm a student-master. I don't believe in the word 'master.' I consider the master as such when they close the casket.
All you have to do is go back to slavery - days, and there were two types of slaves, the house slave and the field slave. The house slave was the one who believed in the master, who had confidence in the master and usually was very friendly with the master. And usually he was also used by the master to try and keep the other slaves pacified.
For a master, the rewards gained along the way are fine, but they are not the main reason for the journey. Ultimately the master and the master's path are one. And if the traveler is fortunate - that is, if the path is complex and profound enough - the destination is two miles farther away for every mile he or she travels.
There is no easy way to train an apprentice. My two tools are example and nagging.
A young apprentice applied to a master carpenter for a job. The older man asked him, "Do you know your trade?" "Yes, sir!" the young man replied proudly. "Have you ever made a mistake?" the older man inquired. "No, sir!" the young man answered, feeling certain he would get the job. "Then there's no way I'm going to hire you," said the master carpenter, "because when you make one, you won't know how to fix it.
Once they began doing 'Celebrity Apprentice,' apparently the audience wasn't that keen on the ordinary apprentice. That is probably the best indictment with our fascination with celebrity in our culture, which drives me crazy.
To follow the path look to the master follow the master walk with the master see through the master become the master.
Starting at age 6, I was helping install the Formica table tops with that strong glue. My dad was the master. I was the apprentice. I'd be in there working until I'd be telling him, 'I feel woozy,' and he'd say, 'Go outside, son.' So I'd go organize his tools. He used the best ones made.
A dog will recognize his master in whatever way he dresses. The master may dress in robes, suit and tie, or stand naked, but the dog will always recognize his master. If we cannot recognize God, our beloved master, when he comes in a different dress from another religion, then we are less than that dog.
My first published novel, 'American Rust,' took three and a half years of full-time work to write. But I wrote two apprentice novels before that.
My first published novel, American Rust, took three and a half years of full-time work to write. But I wrote two apprentice novels before that.
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