A Quote by Frank Oz
I bought a tape recorder and some stuff and went to Europe for three months when I was 18. The puppeteering was only there as a hobby. I wanted to be a journalist. When I was 19, and after I had spent about a year in college, Jim Henson asked me to come out and try puppeteering for awhile.
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I never wanted to be a puppeteer. I stopped puppeteering when I was about 18. I puppeteered when I was eleven years old to 18 to make extra money to go to Europe, which I made half of and my parents gave me half.
I guess I have a fascination with the idea of puppeteering. I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do.
I wanted to deconstruct the puppet show. I wanted to turn it inside out and do stuff that you're not supposed to do. I didn't want it to be gentle like most puppet shows tend to be, since they come from childhood where you're gently trying to tell a story. I wanted to blast all that out of the water. I think there's plenty of room of any kind of attitude toward puppets. I call puppeteering acting while hiding.
I worked in a factory for 10 months with the aim of going traveling in Europe. I bought a bottle of bubble stuff and spent every night playing with bubbles. After 10 months, I went to Europe and did bubble shows on the street.
I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents savings were being spent on my college tuition. After six months I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out.
I joined the Madras Christian College but dropped out after three months. Telugu music director Ramesh Naidu asked me to assist him, and I did so for over a year. I did think of rejoining college, but by then, I was discovering the musician in me. I worked with Illaya Raja and Raj Koti and soon shifted to commercials. This led to movie offers.
NFL Europe helped me quite a bit. It was a situation where I came out of college and spent the first few months of my career over in Europe.
Somebody talked me into writing an autobiography about six or seven years ago. And I said I'd try. We talked into a tape recorder, and after a couple of months, I said, To hell with it. I was so depressed. It was like saying, 'This is the end.' I was more interested in what the hell was coming the next day or the next week.
I had spent about three months where I couldn't sing at all, so that was anxiety-provoking. But after that, I went back out. I sang for two hours in my garage one day to see if I had a voice.
I had been playing a lot of chess and I wasn't really enjoying it, so I decided to go to college to see what else is out there for me. But after about six or seven months away from the game, I just decided that the whole college life wasn't for me and that's why I decided to come back.
Maybe I'll start from the initial idea, what motivated me to do that. In 1953, I had access to a tape recorder. Tape recorders were not widely available. There was no cassette tape back then. It was a Sears Roebuck tape machine. I put a microphone in the window and recorded the ambience.
Trump is dividing people against each other; he's going to try and sow racial division; so you have to figure out an answer. I think really the only answer for the Democratic Party, or for progressives at large, is to have an answer about how these people who haven't been to college, who haven't had a lot of things given to them in life, are going to do better, year after year after year.
For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.
I was at Reed [College] for only a few months. My parents intended for me to stay there for all four years but I decided that college wasn't right for me. I had no idea what I wanted to do I didn't see how college was going to help me.
[MTV] just wanted a regular person that knew a decent amount about music.I'm so used to doing solitary interviews. You have some control - it's quiet, it's just you with your tape recorder and the person. Then when I was in front of the camera, I broke out in hives, which I continued to do well after I got the job.
I had actually sent an audition tape for Simon Pegg's movie 'Hot Fuzz,' which came to nothing. Four years after the film released, out of nowhere, I got a call saying the producers of 'Game of Thrones' wanted me to play Hodor after they had seen that particular tape.
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