A Quote by Frank Peretti
I became very timid, very retreating. I wouldn't talk to anybody. I didn't look you in the eye. I just had that kind of personality as a kid that basically puts a target on you.
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I've got a very behind-the-scenes personality. I don't know how I became a performer. I like to stay discreet, out of the public eye, very low-key.
Jon Krakauer had documented it very accurately and very well but this kid made a real impression on people, and likewise they on him. To talk to them was very moving in many cases because they talk about him like they saw him yesterday. In most cases they knew this kid for a couple of weeks in their whole life and he just lasted with them.
I don't think I have changed my personality as much as I have evolved as a human. Before the name change, I was very timid, very self-conscious. Just not very confident. When I changed my name, it came from a place of power.
Japanese is a baby talk - very, very hard to read, very, very, easy to talk. ... A very faint kind of language.
When I was a kid, dealing with trying to discover myself, I didn't have anybody to talk to. I didn't have any Internet and didn't have any friends. You felt very alone and very frightened.
I'm just a shy and retreating kind of person. Sometimes I get in a real talkative mood - but not very often.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
The power of data is being able to be much more efficient with who you target and who you talk to and what you talk to them about. If you can gain that sort of very surgical efficiency, particularly in elections where you just need one more vote in order to win an election, yeah, absolutely, it can play a very significant role.
He's [Constable] a great painter as far as it goes, but I don't think he's remotely interesting. Not really. It's very pretty and it's very thorough, but it's not evocative, it's not dramatic, it doesn't do what Beethoven does - it doesn't shake you down to the roots of your soul, which Turner does. Constable is just very nice, basically. And moving on to personality, Constable was a very dull character.
I didn't grow up in a creative environment. It was very boring town, boring everything. You go to school and you basically hate all the other kids because you don't understand them or what it's all about. At the same time I'm happy for that because I became very withdrawn and when you become withdrawn you develop your own bizarre-o personality.
There's no facade; it's very real. I just don't get along with Ronda, and we don't see eye to eye on anything. We're just two completely different people. People can tell that our rivalry is very raw. It's very, very real.
I'm not supposed to say it, but I was not guilty of any crime. I became a target because I was a strong and a rich woman who had been very successful.
The rock-star thing became very destructive, like, wow. I didn't know what I was doing. I just kind of became that thing. The hair, that rock-star kind of lifestyle, just living a dream. It kind of took over. It started out very innocent and then I turned into a cartoon character. And I started to feel like a cartoon character.
Instead of shooting arrows at someone elses target, which Ive never been very good at, I make my own target around wherever my arrow happens to have landed. You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre.
I always hated when the studios just kind of said that anybody can act. You look at people like Spencer Tracy, Henry Fonda - and I'm just talking about the male actors - there aren't a lot who can act. It's a very special talent, and I wish it were recognized as a very special talent.
I just can't stand to look plain, 'cause that don't fit my personality. I may be a very artificial-looking person, but the good news is, I'm very real on the inside.
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