A Quote by Frank Quitely
Ideally you want to be a couple of months ahead on a project. But I rarely am.
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It's really impossible to project ahead even six months in this business.
I am moving towards that zone where I don't want to be a replaceable name. This is my goal. I want to hear from the industry that, 'You are the only one who can do this. We will not go ahead with the project if you don't do this.' And I want to hear from the audience that it is worth watching a film that I have done.
I think the thing about acting and making music is that it's easy to do both. I'll shoot a movie for three months, and then I won't have to work for however long I want to. So, I can do a movie for a couple of months and then come and do music for a couple. But whatever's hot at the moment is what I'll gravitate toward.
I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
Ideally, we'd want an Irishman coming in for the job, but, ideally it doesn't really matter.
I try not to write more than two or three, I try to just write one if possible, I write till the end at least a draft of a play or a novel; but sometimes, I'll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
There's generally a couple of months' gap between shows. And I am rather glad it's been that way because I am a workaholic.
My first job was in a nursing home - a terrible place in retrospect. It was in an old house, and the residents were so lonely. People rarely visited them. I only stayed there a couple of months, but it made a strong impression on me.
Nobody knows how long they have left on Earth. There's no guarantees, and for me, when they tell you - not once, twice, three times - 'You've got a couple weeks to live,' or a couple months, you have to determine how you want to do that.
Basically, if I decide to retire I don't want it to be one of those situations where, you know, after a couple of months I have the itch to play again. That's not something I want to do. I want to put a lot of thought into it and make the final decision. I don't want to waver on it at all.
Ideally, really ideally, you want to get to a place where you can have creative control over the material you do - choices, at least, anyway. And you want your choice of script and role. But do you really want your life to revolve around trying to maintain your privacy?
I was approached to do something for seven years, and it was a quality project. I did seriously think about it, but I didn't want to be away for six months of the year. I've never done the L.A. thing where you go and have loads of meetings; I can't say to my wife, 'I'm going to wait by a pool for six months.'
I want whoever has the title in a couple of months.
Sometimes I am puzzling over something for months and months and the poem gets created in small bursts and rewritten a hundred times, and chopped up and put back together, etc. Occasionally, though rarely, a poem just plops out of my head fully-formed. But always it is a blueprint of what my brain is trying to navigate at that moment.
I do some freelance web design stuff. I taught a directing class for this not-for-profit organization here in Chicago a couple months ago. I wrote a thing for Filmmaker Magazine a couple months ago. Occasionally, I'll get to go speak to students at a university and make a little money that way, which is great. I really like doing that.
I want to spend a couple of months going through the Amazon.
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