A Quote by Frank Rich

The actor doesn't merely command the stage, he seems to own it by divine right. — © Frank Rich
The actor doesn't merely command the stage, he seems to own it by divine right.
Euripides seems to have felt that the dignified perfection of Sophocles could be challenged only by novelty and irresponsibility. The religious conditions of the Dionysian festival kept him within certain bounds. But within the imposed limits Euripides was as profane as he dared to be, making melodrama of the divine realities which his predecessors accepted religiously, using the stage merely as a convenience for popularizing his own eccentric values.
Own the stage, command the stage, and don't be afraid to be the best you can be.
People have an idea that the preacher is an actor on a stage and they are the critics, blaming or praising him. What they don't know is that they are the actors on the stage; he (the preacher) is merely the prompter standing in the wings, reminding them of their lost lines.
Every child has a right to its own bent. . . . It has a right to find its own way and go its own way, whether that way seems wise or foolish to others, exactly as an adult has. It has a right to privacy as to its own doings and its own affairs as much as if it were its own father.
The entire object of true education is to make people not merely do the right things, but enjoy the right things — not merely industrious, but to love industry — not merely learned, but to love knowledge — not merely pure, but to love purity — not merely just, but to hunger and thirst after justice.
[Religion] attacks us in our deepest integrity - the core of our self-respect. Religion says that we would not know right from wrong, we would not know an evil, wicked act from a decent human act without divine permission, without divine authority or without, even worse, either the fear of a divine punishment or the hope of a divine reward. It strips us of the right to make our own determination, as all humans always have, about what is and what is not a right human action.
I knew I was a good stage actor but I had no idea about movies. And I wasn't a Paul Newman type of guy. That's why I thought the stage is just right for me.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
This command seems to me to be strictly a missionary injunction; so that, apart altogether from choice and other lower reasons, my going forth is a matter of obedience to a plain command.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
Kids will use their own system at the stage that they are, they're not (learning merely by) imitating you.
We live in capitalism. Its power seems inescapable. So did the divine right of kings.
The function of combat is not merely to perpetrate violence, but to perpetrate violence on command, instantaneously and reflexively. The function of the service academies is to prepare men for leadership positions where they may someday exercise that command.
The divine right of husbands, like the divine right of kings, may, it is hoped, in this enlightened age, be contested without danger.
To please God… to be a real ingredient in the divine happiness… to be loved by God, not merely pitied, but delighted in as an artist delights in his work or a father in a son- it seems impossible, a weight or burden of glory which our thoughts can hardly sustain. But so it is.
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